As If Poetry: Computer-Generated Tanka and Contemporary Japanese Verse
This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture. Among the recent surge of interest in computer-generated poetry in Japan, I look particularly at two computer programs: the instant tanka genera...
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Published in | ASIANetwork exchange Vol. 28; no. 1; p. 36 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Open Library of Humanities
02.07.2022
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Subjects | |
Online Access | Get full text |
ISSN | 1943-9946 1943-9938 1943-9946 |
DOI | 10.16995/ane.8145 |
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Abstract | This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture. Among the recent surge of interest in computer-generated poetry in Japan, I look particularly at two computer programs: the instant tanka generator Inu-zaru created by Sasaki Arara, and the so-called “guzen tanka” Twitter bot of programmer Inaniwa and poet Sekishiro. These programs engender new paradoxical models of technology-mediated authorship and reading, whereby human agency is at once subtracted from the composition process while also being presupposed as a necessary component in the participant reader. Such forms of reading and writing shed new light on theoretical matters such as the death of the author even as they pose intractable questions concerning international copyright conventions. |
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AbstractList | This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture. Among the recent surge of interest in computer-generated poetry in Japan, I look particularly at two computer programs: the instant tanka generator Inu-zaru created by Sasaki Arara, and the so-called “guzen tanka” Twitter bot of programmer Inaniwa and poet Sekishiro. These programs engender new paradoxical models of technology-mediated authorship and reading, whereby human agency is at once subtracted from the composition process while also being presupposed as a necessary component in the participant reader. Such forms of reading and writing shed new light on theoretical matters such as the death of the author even as they pose intractable questions concerning international copyright conventions. This paper discusses the innovative use of AI computer algorithms in the creation of tanka, a form of Japanese poetry. From the recent forays into computer-generated poetry in Japan, I look at two computer programs in particular: the instant tanka generator “Inu-zaru,” created by Sasaki Arara, and the “gūzen tanka” Twitter bot by programmer Inaniwa. These programs engender new paradoxical models of technology-mediated authorship and reading, whereby human agency is at once subtracted from the composition process while also being presupposed as a necessary component in the participant reader. Such forms of reading and writing shed new light on theoretical matters such as the death of the author even as they pose intractable questions concerning international copyright conventions. Keywords: artificial intelligence, information society, Japanese poetry, authorship, cybernetics |
Audience | Academic |
Author | Mehl, Scott |
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Cites_doi | 10.7551/mitpress/11022.001.0001 10.1093/0195142713.001.0001 10.4159/9780674982178 |
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Snippet | This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture.... This paper discusses the innovative use of AI computer algorithms in the creation of tanka, a form of Japanese poetry. From the recent forays into... |
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SubjectTerms | Analysis Artificial intelligence authorship cybernetics Imagining Geopolitics across Media and Artforms information society Japanese poetry Mediation Poetry |
Title | As If Poetry: Computer-Generated Tanka and Contemporary Japanese Verse |
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