China Baroqueries, ca. 1620: Francisco de Herrera Maldonado on the Chinese Language
This article focuses on the reflections on Chinese language and script included by Francisco de Herrera Maldonado (a minor figure in the Spanish Golden Age) in his little-known 1620 Historical Epitome of the Kingdom of China ... By translating and commenting on the relevant contexts from both the Sp...
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| Published in | The Seventeenth century Vol. 35; no. 5; pp. 579 - 609 |
|---|---|
| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
Durham
Routledge
02.09.2020
Taylor & Francis Ltd |
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| Abstract | This article focuses on the reflections on Chinese language and script included by Francisco de Herrera Maldonado (a minor figure in the Spanish Golden Age) in his little-known 1620 Historical Epitome of the Kingdom of China ... By translating and commenting on the relevant contexts from both the Spanish original and its 1622 French rendition, I challenge the critical consensus that sees most of the Historical Epitome as a highly derivative text. I discuss this work's many novel linguistic perspectives (on character composition, calligraphy, and Chinese grammar) against those in earlier European accounts on China, and emphasise the pioneering position Herrera Maldonado's work should occupy in a history of European reflections on the Chinese language and linguistic otherness at large. I also argue that Herrera's language chapter represents a partially failed attempt at building a Baroque spectacle of erudition and Chinese-character-based visual splendour, which anticipates Athanasius Kircher's better-known efforts. |
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| AbstractList | This article focuses on the reflections on Chinese language and script included by Francisco de Herrera Maldonado (a minor figure in the Spanish Golden Age) in his little-known 1620 Historical Epitome of the Kingdom of China ... By translating and commenting on the relevant contexts from both the Spanish original and its 1622 French rendition, I challenge the critical consensus that sees most of the Historical Epitome as a highly derivative text. I discuss this work's many novel linguistic perspectives (on character composition, calligraphy, and Chinese grammar) against those in earlier European accounts on China, and emphasise the pioneering position Herrera Maldonado's work should occupy in a history of European reflections on the Chinese language and linguistic otherness at large. I also argue that Herrera's language chapter represents a partially failed attempt at building a Baroque spectacle of erudition and Chinese-character-based visual splendour, which anticipates Athanasius Kircher's better-known efforts. |
| Author | Luca, Dinu |
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| Cites_doi | 10.1057/978-1-137-50291-9 10.1215/9780822383932 10.5565/rev/studiaaurea.39 10.30965/9783846746165_009 10.3989/rfe.1963.v46.i3/4 10.1111/1477-4658.t01-1-00030 10.1515/9780824840303 |
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| RelatedPersons | Kircher, Athanasius (1602-1680) Herrera Maldonado, Francisco de |
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| Snippet | This article focuses on the reflections on Chinese language and script included by Francisco de Herrera Maldonado (a minor figure in the Spanish Golden Age) in... |
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| SubjectTerms | Calligraphy Chinese language Chinese languages Chinese writing French language Herrera Maldonado Herrera Maldonado, Francisco de Kircher, Athanasius (1602-1680) Linguistics Otherness Spanish language Western perceptions of China |
| Title | China Baroqueries, ca. 1620: Francisco de Herrera Maldonado on the Chinese Language |
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