Postcards from Another's Home: Visual Dialogues for Cultural Tolerance

In the following discussion I use direct quotes from students in the class, insert scholarly references to illustrate points, and address broad implications both for art educators and for learning.3 Aesthetic Inquiry The postcards from the Fleming Museums exhibition offered us a rich source for aest...

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Published inArt education (Reston) Vol. 60; no. 6; pp. 17 - 24
Main Author Silverman, Jonathan
Format Journal Article
LanguageEnglish
Published Reston Routledge 01.11.2007
National Art Education Association
Taylor & Francis Ltd
Subjects
Online AccessGet full text
ISSN0004-3125
2325-5161
DOI10.1080/00043125.2007.11651129

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Abstract In the following discussion I use direct quotes from students in the class, insert scholarly references to illustrate points, and address broad implications both for art educators and for learning.3 Aesthetic Inquiry The postcards from the Fleming Museums exhibition offered us a rich source for aesthetic inquiry.4 Our observation of the exhibit's mostly 4'' x 6'' postcards led to an examination of the visual text of buildings, maps, clothes, leisure, and contemporary technology to form our own images of another place. An elementary art teacher commented that the process of researching context of another's story became a template for her research of other artwork and visual images (personal communication, February 17, 2005).\n Curriculum such as "Postcards from Anofher's Home" created opportunities for students to cultivate new perspectives, engage in the search for social vision, imagine multiple vantage points, and reflect on one's own emerging narrative (Greene, 1995).
AbstractList In the following discussion I use direct quotes from students in the class, insert scholarly references to illustrate points, and address broad implications both for art educators and for learning.3 Aesthetic Inquiry The postcards from the Fleming Museums exhibition offered us a rich source for aesthetic inquiry.4 Our observation of the exhibit's mostly 4'' x 6'' postcards led to an examination of the visual text of buildings, maps, clothes, leisure, and contemporary technology to form our own images of another place. An elementary art teacher commented that the process of researching context of another's story became a template for her research of other artwork and visual images (personal communication, February 17, 2005).\n Curriculum such as "Postcards from Anofher's Home" created opportunities for students to cultivate new perspectives, engage in the search for social vision, imagine multiple vantage points, and reflect on one's own emerging narrative (Greene, 1995).
Author Silverman, Jonathan
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Snippet In the following discussion I use direct quotes from students in the class, insert scholarly references to illustrate points, and address broad implications...
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SubjectTerms Aesthetics
Art education
Art exhibitions
Art galleries & museums
Art teachers
Cultural history
Cultural values
Curricula
Elementary school teachers
History instruction
Human subjects
Interdisciplinary Approach
Language Acquisition
Learning
Museum exhibits
Nonfiction
Students
Studies
Visual culture
Title Postcards from Another's Home: Visual Dialogues for Cultural Tolerance
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Volume 60
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