Subjectively Estimated Pitch of Tinnitus and Results of the Pitch Match Test

The subjectively estimated pitch of tinnitus was compared with the results of pitch match test using a pure tone audiometer. Also, the relationship between subjective expression by onomatopoeias and the results of pitch match test was analysed. The subjects were 115 tinnitus ears without hearing los...

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Published inAUDIOLOGY JAPAN Vol. 33; no. 6; pp. 759 - 766
Main Authors O-Uchi, Toshiaki, Kunihiro, Takanobu, Satoh, Akiyoshi, Ogawa, Kaoru, Kanzaki, Jin
Format Journal Article
LanguageEnglish
Japanese
Published Japan Audiological Society 1990
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ISSN0303-8106
1883-7301
DOI10.4295/audiology.33.759

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Abstract The subjectively estimated pitch of tinnitus was compared with the results of pitch match test using a pure tone audiometer. Also, the relationship between subjective expression by onomatopoeias and the results of pitch match test was analysed. The subjects were 115 tinnitus ears without hearing loss or associated with cochlear deafness. The results obtained were as follows; 1) The pitch of tinnitus was subjectively estimated as ‘high’ in two thirds and as ‘low’ in the remaining one third. 2) When the pitch was subjectively estimated as ‘high’, the measured pitch existed in the high frequency areas beyond 4kHz in 80.0% of the ears. On the other hand, when the pitch of tinnitus was subjectively estimated as ‘low’, the measured pitch was distributed almost equally in all frequency areas and the tinnitus was not simulated by either pure tone or band noise of the pure tone audiometer in 33.3% of the ears. 3) Although the pitch was subjectively estimated as ‘low’ in only one third and as ‘high’ in the remaining two thirds, an almost equal number of onomatopoeias were used for the subjective expression in both groups. 4) The relationship between the onomatopoetic expression and the simulated tones of pure tone audiometer was analysed in 23 onomatopoeias. The tinnitus expressed by 15 onomatopoeias was simulated by pure tone and that expressed by 1 onomatopoeia by band noise. The tinnitus expressed by the remaining 7 onomatopoeias was simulated by both pure tone and band noise. 5) When the tinnitus was expressed by the onomatopoeias simulated only by pure tone, the measured pitch was confined to the frequency range of 1 octave or less, while it was distributed beyond 1 octave in tinnitus expressed by onomatopoeias simulated by both pure tone and band noise. Therefore, the onomatopoeias simulated only by pure tone could be a clinical indicator of the measured pitch, but the onomatopoeias simulated by both pure tone and band noise could not be. 6) As far as the relationship between onomatopoeias and their corresponding frequency areas of pure tone and band noise was concerned, discrepancies were found in 8 (47.1%) of 17 onomatopoeias between the results obtained in this study and the proposals by the standardized tinnitus test in 1984: the measured pitch in this study existed outside the proposed frequency areas in tinnitus expressed by 5 of the 8 onomatopoeias.
AbstractList The subjectively estimated pitch of tinnitus was compared with the results of pitch match test using a pure tone audiometer. Also, the relationship between subjective expression by onomatopoeias and the results of pitch match test was analysed. The subjects were 115 tinnitus ears without hearing loss or associated with cochlear deafness. The results obtained were as follows; 1) The pitch of tinnitus was subjectively estimated as ‘high’ in two thirds and as ‘low’ in the remaining one third. 2) When the pitch was subjectively estimated as ‘high’, the measured pitch existed in the high frequency areas beyond 4kHz in 80.0% of the ears. On the other hand, when the pitch of tinnitus was subjectively estimated as ‘low’, the measured pitch was distributed almost equally in all frequency areas and the tinnitus was not simulated by either pure tone or band noise of the pure tone audiometer in 33.3% of the ears. 3) Although the pitch was subjectively estimated as ‘low’ in only one third and as ‘high’ in the remaining two thirds, an almost equal number of onomatopoeias were used for the subjective expression in both groups. 4) The relationship between the onomatopoetic expression and the simulated tones of pure tone audiometer was analysed in 23 onomatopoeias. The tinnitus expressed by 15 onomatopoeias was simulated by pure tone and that expressed by 1 onomatopoeia by band noise. The tinnitus expressed by the remaining 7 onomatopoeias was simulated by both pure tone and band noise. 5) When the tinnitus was expressed by the onomatopoeias simulated only by pure tone, the measured pitch was confined to the frequency range of 1 octave or less, while it was distributed beyond 1 octave in tinnitus expressed by onomatopoeias simulated by both pure tone and band noise. Therefore, the onomatopoeias simulated only by pure tone could be a clinical indicator of the measured pitch, but the onomatopoeias simulated by both pure tone and band noise could not be. 6) As far as the relationship between onomatopoeias and their corresponding frequency areas of pure tone and band noise was concerned, discrepancies were found in 8 (47.1%) of 17 onomatopoeias between the results obtained in this study and the proposals by the standardized tinnitus test in 1984: the measured pitch in this study existed outside the proposed frequency areas in tinnitus expressed by 5 of the 8 onomatopoeias.
Author Ogawa, Kaoru
Kanzaki, Jin
Kunihiro, Takanobu
Satoh, Akiyoshi
O-Uchi, Toshiaki
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References 13) 福與和正: 耳鳴の音色の因子分析的研究-擬声語による耳鳴の客観的評価のために-. 日耳鼻, 87; 545-556, 1984.
7) 永浜武彦: 耳鳴の周波数-Masking Methodによる-. 耳喉, 39: 1069-1074, 1967.
14) 福與和正, 森 俊文, 太田みちる, 曽田豊二: 耳鳴の音色的表現に関する実験的研究. 耳鼻, 30; 972-977, 1984.
1) Hazell, J. W. P.: Measurement of tinnitus in humans. In: Tinnitus. (Ciba Foundation symposium 85), pp. 35-53, Pitman Books, London, 1981.
20) 標準耳鳴検査法1984, 耳鳴研究会, 1984.
8) 福與和正, 森 俊文, 白石君男, 加藤寿彦, 曽田豊二, 北村音一: 自覚的表現による耳鳴の評価. Audiology Japan, 25; 541-542, 1982.
2) 斎藤達雄, 小笠原 真, 村井和夫, 立木 孝: 耳鳴検査の検討. Audiology Japan 28; 545-546, 1985.
15) 福與和正, 森 俊文, 曽田豊二, 太田みちる: 耳鳴の音色的表現に関する臨床的検討. 耳鼻, 30; 978-984, 1984.
5) 大内利昭, 藤井みゆき, 國弘幸伸, 岡田行弘, 佐藤彰芳, 小川 郁, 神崎 仁: 耳鳴ラウドネス・バランス検査の再検討. Audiology Japan, 33; 76-83, 1990.
22) 大内利昭, 田中康夫: シンセサイザーによる耳鳴のピッチに関する検討. 耳展, 31 (補4); 329-341, 1988.
4) 小笠原 真: 耳鳴の大きさならびにその評価法に関する臨床的研究. 日耳鼻, 91; 1871-1882, 1988.
3) 小笠原 真, 及川 尚, 斎藤達雄, 村井和夫, 立木 孝: 耳鳴検査法の検討. Audiology Japan 29; 345-346, 1986.
6) 中沢恒夫: 耳鳴の音調に関する研究. 日耳鼻, 63: 1727-1742, 1960.
17) O-Uchi, T. and Kanzaki, J.: The clinical value of subjective expression in tinnitus. In: Abstracts of 17th International Congress of Audiology. Santa Barbara, August, 1984), p. 81, 1984.
21) 大内利昭, 神崎 仁: 内リンパ水腫診断法としてのグリセロール負荷耳鳴バランステスト. Audiology Japan, 26; 453-454, 1983.
18) 大内利昭: 耳鳴検査法. 耳喉・頭頸, 61; 983-987, 1989.
12) 福與和正, 陣内 淳, 加藤寿彦, 曽田豊二: 耳鳴の音色の客観的評価方法-臨床応用について-. Audiology Japan, 27; 437-438, 1984.
10) 斎藤達雄, 立木 孝: 耳鳴の自覚的表現に関する実験的・臨床的研究. Audiology Japan, 25: 567-568, 1982.
16) 渡辺尚彦, 根岸正之, 永井大介, 調所廣之, 岡本途也: 耳鳴の臨床的研究-表現法と問診への応用-. 耳鼻, 30: 993-999, 1984.
11) 曽田豊二, 福與和正, 加藤寿彦, 北村音一: 擬声語の評価について-自覚的表現による耳鳴の評価のために-. Audiology Japan, 26; 96-104, 1983.
9) 森 俊文, 福與和正, 加藤寿彦, 白石君男, 江浦陽一, 太田みちる, 曽田豊二: 耳鳴の音色的表現についての臨床的検討. Audiology Japan, 25; 563-564, 1982.
19) 大内利昭, 岡田行弘, 小川 郁, 藤井みゆき, 神崎 仁: 耳鳴の自覚的表現に関する再検討-自発的擬声語と耳鳴周波数及び純音・雑音性との関係-Audiology Japan, 33; 48-55, 1990.
References_xml – reference: 5) 大内利昭, 藤井みゆき, 國弘幸伸, 岡田行弘, 佐藤彰芳, 小川 郁, 神崎 仁: 耳鳴ラウドネス・バランス検査の再検討. Audiology Japan, 33; 76-83, 1990.
– reference: 10) 斎藤達雄, 立木 孝: 耳鳴の自覚的表現に関する実験的・臨床的研究. Audiology Japan, 25: 567-568, 1982.
– reference: 3) 小笠原 真, 及川 尚, 斎藤達雄, 村井和夫, 立木 孝: 耳鳴検査法の検討. Audiology Japan 29; 345-346, 1986.
– reference: 18) 大内利昭: 耳鳴検査法. 耳喉・頭頸, 61; 983-987, 1989.
– reference: 16) 渡辺尚彦, 根岸正之, 永井大介, 調所廣之, 岡本途也: 耳鳴の臨床的研究-表現法と問診への応用-. 耳鼻, 30: 993-999, 1984.
– reference: 20) 標準耳鳴検査法1984, 耳鳴研究会, 1984.
– reference: 6) 中沢恒夫: 耳鳴の音調に関する研究. 日耳鼻, 63: 1727-1742, 1960.
– reference: 1) Hazell, J. W. P.: Measurement of tinnitus in humans. In: Tinnitus. (Ciba Foundation symposium 85), pp. 35-53, Pitman Books, London, 1981.
– reference: 17) O-Uchi, T. and Kanzaki, J.: The clinical value of subjective expression in tinnitus. In: Abstracts of 17th International Congress of Audiology. Santa Barbara, August, 1984), p. 81, 1984.
– reference: 19) 大内利昭, 岡田行弘, 小川 郁, 藤井みゆき, 神崎 仁: 耳鳴の自覚的表現に関する再検討-自発的擬声語と耳鳴周波数及び純音・雑音性との関係-Audiology Japan, 33; 48-55, 1990.
– reference: 11) 曽田豊二, 福與和正, 加藤寿彦, 北村音一: 擬声語の評価について-自覚的表現による耳鳴の評価のために-. Audiology Japan, 26; 96-104, 1983.
– reference: 12) 福與和正, 陣内 淳, 加藤寿彦, 曽田豊二: 耳鳴の音色の客観的評価方法-臨床応用について-. Audiology Japan, 27; 437-438, 1984.
– reference: 13) 福與和正: 耳鳴の音色の因子分析的研究-擬声語による耳鳴の客観的評価のために-. 日耳鼻, 87; 545-556, 1984.
– reference: 22) 大内利昭, 田中康夫: シンセサイザーによる耳鳴のピッチに関する検討. 耳展, 31 (補4); 329-341, 1988.
– reference: 14) 福與和正, 森 俊文, 太田みちる, 曽田豊二: 耳鳴の音色的表現に関する実験的研究. 耳鼻, 30; 972-977, 1984.
– reference: 21) 大内利昭, 神崎 仁: 内リンパ水腫診断法としてのグリセロール負荷耳鳴バランステスト. Audiology Japan, 26; 453-454, 1983.
– reference: 4) 小笠原 真: 耳鳴の大きさならびにその評価法に関する臨床的研究. 日耳鼻, 91; 1871-1882, 1988.
– reference: 7) 永浜武彦: 耳鳴の周波数-Masking Methodによる-. 耳喉, 39: 1069-1074, 1967.
– reference: 15) 福與和正, 森 俊文, 曽田豊二, 太田みちる: 耳鳴の音色的表現に関する臨床的検討. 耳鼻, 30; 978-984, 1984.
– reference: 2) 斎藤達雄, 小笠原 真, 村井和夫, 立木 孝: 耳鳴検査の検討. Audiology Japan 28; 545-546, 1985.
– reference: 9) 森 俊文, 福與和正, 加藤寿彦, 白石君男, 江浦陽一, 太田みちる, 曽田豊二: 耳鳴の音色的表現についての臨床的検討. Audiology Japan, 25; 563-564, 1982.
– reference: 8) 福與和正, 森 俊文, 白石君男, 加藤寿彦, 曽田豊二, 北村音一: 自覚的表現による耳鳴の評価. Audiology Japan, 25; 541-542, 1982.
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