Maria Theresa and the Love of Her Subjects

• Published in: Austrian history yearbook Vol. 51; pp. 1 - 12
• Main Author: Stollberg-Rilinger, Barbara
• Format: Journal Article
• Language: English
• Published: Houston Cambridge University Press 01.05.2020
• Subjects: 19th century; 20th century; Austrian culture; Biographies; Fertility; Heart; Memorials & monuments; New York; United States > US
• ISSN: 0067-2378; 1558-5255
• DOI: 10.1017/S0067237820000041

I have been asked to speak about the life of the Empress-Queen Maria Theresa. I would like to start by directing your attention to the cover pictures of three recent biographies (Figures 1‒3). If you look at these pictures you will find one astonishing commonality. I am sure that this is neither a coincidence, nor just a fad: on each of the three covers, you only see a part of the portrait. For me, this perfectly symbolizes a specific, skeptical view of biography writing. As a biographer, these cover pictures say, you never get the whole picture of a person. It's always up to the author not only to choose the material but also to establish a certain narrative structure. A life is not a story, and a biography does not simply tell itself. There is always more than one true life story of a person. As the Swiss historian Valentin Groebner recently put it: “The past is a big untidy cellar. It is a bit damp and dark and smells a bit strange there. We go down and get what we want.” What you choose and how you arrange it—which story you tell—depends on which perspective you take and in what you are interested.