I. A. Richards Among the Scientists

This essay argues that I. A. Richards's early critical practices were the product of his involvement with the popular science publishing empire of his friend and sometime-collaborator, C. K. Ogden. Recent reevaluations of Richards's legacy have sought to rescue "close reading" fr...

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Published inELH Vol. 86; no. 3; pp. 751 - 777
Main Author Green, Elspeth
Format Journal Article
LanguageEnglish
Published Baltimore Johns Hopkins University Press 2019
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Abstract This essay argues that I. A. Richards's early critical practices were the product of his involvement with the popular science publishing empire of his friend and sometime-collaborator, C. K. Ogden. Recent reevaluations of Richards's legacy have sought to rescue "close reading" from the New Critics. This effort is incomplete without an examination of Ogden's science series, in which Richards's major early books were published alongside works of psychology, anthropology, and physics. Richards's later definition of metaphor as a "transaction between contexts" emerges from the interdisciplinary rhetoric of Ogden's series, which attributed the scientific ignorance of the general public to increasing scientific specialization and sought to combat it by presenting diverse fields as interconnected "allies." I show that Richards's own rhetoric embodies the generic conventions of popular science. Further, I suggest that the metaphors of popular science can be viewed as iterative "readings" or interpretations of scientific practice, in the mode of Richards' own "practical criticism."
AbstractList This essay argues that I. A. Richards's early critical practices were the product of his involvement with the popular science publishing empire of his friend and sometime-collaborator, C. K. Ogden. Recent reevaluations of Richards's legacy have sought to rescue "close reading" from the New Critics. This effort is incomplete without an examination of Ogden's science series, in which Richards's major early books were published alongside works of psychology, anthropology, and physics. Richards's later definition of metaphor as a "transaction between contexts" emerges from the interdisciplinary rhetoric of Ogden's series, which attributed the scientific ignorance of the general public to increasing scientific specialization and sought to combat it by presenting diverse fields as interconnected "allies." I show that Richards's own rhetoric embodies the generic conventions of popular science. Further, I suggest that the metaphors of popular science can be viewed as iterative "readings" or interpretations of scientific practice, in the mode of Richards' own "practical criticism."
Author Green, Elspeth
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Joyce, James (1882-1941)
Keats, John (1795-1821)
Russell, Bertrand Arthur William (1872-1970)
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Snippet This essay argues that I. A. Richards's early critical practices were the product of his involvement with the popular science publishing empire of his friend...
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SubjectTerms Aesthetics
Ambiguity
American literature
British & Irish literature
Collaboration
Criticism
Departments
Eliot, T S (Thomas Stearns) (1888-1965)
English literature
Essays
Grammatical aspect
Ideology
Interdisciplinary aspects
Irish literature
Joyce, James (1882-1941)
Keats, John (1795-1821)
Library collections
Literary criticism
Literary devices
Literary translation
Metaphor
Philosophy
Poetry
Psychology
Publishing
Publishing industry
Readers
Rhetoric
Russell, Bertrand Arthur William (1872-1970)
Science
Writers
Title I. A. Richards Among the Scientists
URI https://muse.jhu.edu/article/732939
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Volume 86
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