Ovid's ‘Hecale’: Deconstructing Athens in the Metamorphoses
Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented...
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Published in | The Journal of Roman studies Vol. 94; pp. 47 - 72 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
Cambridge, UK
Cambridge University Press
01.11.2004
Society for the Promotion of Roman Studies |
Subjects | |
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Abstract | Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader. |
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AbstractList | Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader. Scholars have long recognised a cultural tension inherent in the scheme of Ovid's "Metamorphoses": while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. Explores some of the complex strategies by which Ovid has scripted his literary assault on Greek civilisation into the spatial and temporal articulations of his narrative. Focuses on Ovid's confrontation with Athenian culture in "Metamorphoses 2", and his "decentring" of Athens within the world-system, of the poem. (Quotes from original text) Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses : while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader. |
Author | Zissos, Andrew Gildenhard, Ingo |
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Copyright | Copyright ©Ingo Gildenhard and Andrew Zissos 2004. Exclusive Licence to Publish: The Society for the Promotion of Roman Studies Copyright 2004 The Society for the Promotion of roman Studies |
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SubjectTerms | Animal tales City states Culture Imperialism Legends Literature Narrative poetry Narratives Narrators Poetics Poetry Poets Roman civilization Tales |
Title | Ovid's ‘Hecale’: Deconstructing Athens in the Metamorphoses |
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