Ovid's ‘Hecale’: Deconstructing Athens in the Metamorphoses

Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented...

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Published inThe Journal of Roman studies Vol. 94; pp. 47 - 72
Main Authors Gildenhard, Ingo, Zissos, Andrew
Format Journal Article
LanguageEnglish
Published Cambridge, UK Cambridge University Press 01.11.2004
Society for the Promotion of Roman Studies
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Abstract Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader.
AbstractList Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader.
Scholars have long recognised a cultural tension inherent in the scheme of Ovid's "Metamorphoses": while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. Explores some of the complex strategies by which Ovid has scripted his literary assault on Greek civilisation into the spatial and temporal articulations of his narrative. Focuses on Ovid's confrontation with Athenian culture in "Metamorphoses 2", and his "decentring" of Athens within the world-system, of the poem. (Quotes from original text)
Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses : while most of the materia of the epic is Greek, Rome is its triumphant narrative telos. The epic's Hellenic underpinnings have received abundant critical attention; rather less well documented and discussed is the subtle undercurrent of Romanitas that sustains Ovid's overarching cultural teleology throughout the poem. This Roman ‘cultural vector’ registers in all phases of the narrative, but nowhere more insistently than in the first two books: it is there that the poet brings the overall temporal and spatial thrust of his literary project — namely, to spin down a carmen from universal creation to contemporary Augustan times (‘ad mea … tempora’, 1.4) — most forcefully to the mind of his reader.
Author Zissos, Andrew
Gildenhard, Ingo
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Snippet Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses: while most of the materia of the epic is Greek, Rome is its...
Scholars have long recognized a cultural tension inherent in the scheme of Ovid's Metamorphoses : while most of the materia of the epic is Greek, Rome is its...
Scholars have long recognised a cultural tension inherent in the scheme of Ovid's "Metamorphoses": while most of the materia of the epic is Greek, Rome is its...
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SubjectTerms Animal tales
City states
Culture
Imperialism
Legends
Literature
Narrative poetry
Narratives
Narrators
Poetics
Poetry
Poets
Roman civilization
Tales
Title Ovid's ‘Hecale’: Deconstructing Athens in the Metamorphoses
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