The Emotional Effects of Music on Religious Experience: A Study of the Pentecostal-Charismatic Style of Music and Worship
The relationship of the Pentecostal-Charismatic (P-C) style of music and worship practices to religious experience was investigated. The compositional devices typically found in this type of church music were analysed with respect to their potential emotional effects. In Study 1, members of a P-C ch...
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Published in | Psychology of music Vol. 30; no. 1; pp. 8 - 27 |
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Main Authors | , |
Format | Journal Article |
Language | English |
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Thousand Oaks, CA
SAGE Publications
01.04.2002
Sage Publications Ltd |
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Abstract | The relationship of the Pentecostal-Charismatic (P-C) style of music and worship practices to religious experience was investigated. The compositional devices typically found in this type of church music were analysed with respect to their potential emotional effects. In Study 1, members of a P-C church responded to questionnaires and interviews about the importance of music in their church services. Participants' mood significantly increased from directly before the service until directly after the music and worship part of the service, although there was little change throughout the remainder of the service.
In Study 2, a P-C group and a non-P-C group had their reactions assessed to four musical selections. Two selections were secular and two were religious, as used in P-C church services. The groups had similar reactions to the secular pieces but the P-C group had stronger "energetic" and "awesome" emotional reactions than the non-P-C group to the religious selections. Familiarity with and associations to the music seemed to be the important factors in this effect. The investigation demonstrated how music is used as a facilitator of religious experience in a P-C church. Results are discussed with respect to their implications for the links between music, emotion and religious experience. |
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AbstractList | Presents two studies that investigated the relationship of the Pentecostal-Charismatic (P-C) style of music and worship practices to religious experience. States that in Study 1, members of a P-C church responded to questionnaires and interviews about the importance of music in their church services. Indicates from study results that participants' mood significantly increased from directly before the service until directly after the music and worship part of the service, although there was little change throughout the remainder of the service. Notes that in Study 2, a P-C group and a non-P-C group had their reactions assessed to four music selections, two secular and two religious. Explains that the groups had similar to the secular pieces, but the P-C group had stronger "energetic" and "awesome" emotional reactions than the non-P-C group to the religious selections. Includes tables, references, and an appendix. The relationship of the Pentecostal-Charismatic (P-C) style of music and worship practices to religious experience was investigated. The compositional devices typically found in this type of church music were analysed with respect to their potential emotional effects. In Study 1, members of a P-C church responded to questionnaires and interviews about the importance of music in their church services. Participants' mood significantly increased from directly before the service until directly after the music and worship part of the service, although there was little change throughout the remainder of the service. In Study 2, a P-C group and a non-P-C group had their reactions assessed to four musical selections. Two selections were secular and two were religious, as used in P-C church services. The groups had similar reactions to the secular pieces but the P-C group had stronger "energetic" and "awesome" emotional reactions than the non-P-C group to the religious selections. Familiarity with and associations to the music seemed to be the important factors in this effect. The investigation demonstrated how music is used as a facilitator of religious experience in a P-C church. Results are discussed with respect to their implications for the links between music, emotion and religious experience. The relationship of the Pentecostal-Charismatic (P-C) style of music and worship practices to religious experience was investigated. The compositional devices typically found in this type of church music were analysed with respect to their potential emotional effects. In Study 1, members of a P-C church responded to questionnaires and interviews about the importance of music in their church services. Participants' mood significantly increased from directly before the service until directly after the music and worship part of the service, although there was little change throughout the remainder of the service. In Study 2, a P-C group and a non-P-C group had their reactions assessed to four musical selections. Two selections were secular and two were religious, as used in P-C church services. The groups had similar reactions to the secular pieces but the P-C group had stronger "energetic" and "awesome" emotional reactions than the non-P-C group to the religious selections. Familiarity with and associations to the music seemed to be the important factors in this effect. The investigation demonstrated how music is used as a facilitator of religious experience in a P-C church. Results are discussed with respect to their implications for the links between music, emotion and religious experience. |
Author | Strongman, Kenneth T. Miller, Mandi M. |
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Cites_doi | 10.2307/3388944 10.1177/0305735695231003 10.1037/1196-1961.51.4.336 10.2307/3711893 10.1207/s15327582ijpr0602_3 10.1016/B978-0-12-213562-0.50021-8 10.1177/0305735685132002 10.1037/0022-0663.73.4.505 10.46469/mq.1998.39.2.4 10.1016/S0191-8869(98)00004-X 10.1080/00223989709603503 10.1177/0305735691192002 10.1177/009164719001800108 10.2307/3345279 10.3758/BF03212593 10.1177/0305735696241006 10.1177/0305735685131002 |
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References | Leonard, J. A., Lattimore, B. 1990; 18 Asmus, E. P. 1985; 13 Lowis, M. J., Hughes, J. 1997; 131 Wheeler, B. L. 1985; 13 Hevner, K. 1938; 39 Gabrielsson, A., Lindstrom, S. 1993; 10 Waterman, M. 1996; 24 Nelson, T. J. 1996; 57 Lowis, M. J. 1998; 39 Spilka, B., Ladd, K., McIntosh, D. N., Milmoe, S. 1996; 6 Sloboda, J. A. 1999; 12 Krumhansl, C. L. 1997; 51 Hettena, C. M., Ballif, B. L. 1980; 73 Berlyne, D. E. 1970; 8 Kincheloe, J. L. 1985; 10 Persson, R. S., Robson, C. 1995; 23 Hill, P., Argyle, M. 1998; 25 Price, C. A., Snow, M. S. 1998; 17 Sloboda, J. A. 1991a; 19 Hargreaves, D. J. 1984; 32 Lawless, E. J. (atypb24) 1988 Price, C. A. (atypb33) 1998; 17 Proudfoot, W. (atypb34) 1985 Sloboda, J. A. (atypb41) 1991 Cooke, D. (atypb4) 1959 Schumaker, J. F. (atypb38) 1995 atypb46 atypb40 Gabrielsson, A. (atypb8) 1993; 10 Kincheloe, J. L. (atypb21) 1985; 10 Gatewood, E. L. (atypb9) 1927 Gabrielsson, A. (atypb7) Hevner, K. (atypb15) 1938; 39 atypb16 atypb11 Ward, C. A. (atypb49) 1989 atypb14 Sloboda, J. A. (atypb43) atypb52 atypb3 atypb2 Strongman, K. T. (atypb48) 1996 atypb5 atypb6 Hay, David (atypb13) 1990 atypb50 Westermeyer, P. (atypb51) 1998 Merriam, A. P. (atypb29) 1964 Hopson, R. E. (atypb18) 1995 Spilka, B. (atypb45) 1985 Shepperd, J. W. (atypb39) 1988 atypb26 Storr, A. (atypb47) 1992 atypb27 Sloboda, J. A. (atypb42) 1998 atypb22 atypb23 atypb25 Kaplan, M. (atypb20) 1990 Jourdain, R. (atypb19) 1998 Harrer, G. (atypb12) 1980 Meyer, L. B. (atypb30) 1956 Hollenweger, W. J. (atypb17) 1997 Schoen, M. (atypb37) 1927 Alford, D. L. (atypb1) 1988 Goodman, F. D. (atypb10) 1974 Sloboda, J. A. (atypb44) 1999; 12 Rouget, G. (atypb36) 1985 Radocy, R. E. (atypb35) 1997 atypb31 atypb32 Williams, J. R. (atypb53) 1988 Maranell, G. M. (atypb28) 1974 |
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Title | The Emotional Effects of Music on Religious Experience: A Study of the Pentecostal-Charismatic Style of Music and Worship |
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