On Taste and Other Senses Synaesthesia in Renaissance and Avant-garde performance

Renaissance theatre and avant-garde performance shared an interest in synaesthesia (a blending of different sensory impressions) and often aimed at creating what the Romantic called a 'Gesamtkunstwerk' (Total Work of Art). This essay focusses on one particular sense - taste - and discusses...

Full description

Saved in:
Bibliographic Details
Published inPerformance research Vol. 23; no. 4-5; pp. 22 - 28
Main Author Berghaus, Günter
Format Journal Article
LanguageEnglish
Published Routledge 04.07.2018
Online AccessGet full text

Cover

Loading…
Abstract Renaissance theatre and avant-garde performance shared an interest in synaesthesia (a blending of different sensory impressions) and often aimed at creating what the Romantic called a 'Gesamtkunstwerk' (Total Work of Art). This essay focusses on one particular sense - taste - and discusses some of the similarities between Renaissance banquets and Futurist dinners. Both were multi-media spectacles in which a variety of sense impressions was closely correlated according to artistic principles. I present a particularly well-documented spectacle that took place in 1489 at the wedding between Gian Galeazzo Sforza and Isabella d'Aragona. Here were not only words, music and movements closely interwoven into a harmonious whole; also the forms, shapes and colours of the food were artistically arranged, just like the costumes and scenic surroundings. And, of course, the smell and taste of the food, as well as the tactile sensations elicited during the meal formed part of an overall design. One has to wait a few centuries before the theatrical potential of food and its ingestion came to be recognized again. A pioneering role was played here by the Italian Futurists, who staged a variety of banquets and turned restaurants into venues for gastronomic spectacles. They also wrote plays for the theatre in which food played an integral role. As an example I discuss 'Il pranzo di Sempronio' ('Semprono's Lunch') by Emilio Settimelli and Bruno Corra, which depicts the five life stages of a man in the form of a five-course meal that is served in five different locations. I also present some of the banquets held in Futurist venues, where cuisine formed part of a balanced, vibrant and dynamic whole that truly aspired to be a Total Work of Art.
AbstractList Renaissance theatre and avant-garde performance shared an interest in synaesthesia (a blending of different sensory impressions) and often aimed at creating what the Romantic called a 'Gesamtkunstwerk' (Total Work of Art). This essay focusses on one particular sense - taste - and discusses some of the similarities between Renaissance banquets and Futurist dinners. Both were multi-media spectacles in which a variety of sense impressions was closely correlated according to artistic principles. I present a particularly well-documented spectacle that took place in 1489 at the wedding between Gian Galeazzo Sforza and Isabella d'Aragona. Here were not only words, music and movements closely interwoven into a harmonious whole; also the forms, shapes and colours of the food were artistically arranged, just like the costumes and scenic surroundings. And, of course, the smell and taste of the food, as well as the tactile sensations elicited during the meal formed part of an overall design. One has to wait a few centuries before the theatrical potential of food and its ingestion came to be recognized again. A pioneering role was played here by the Italian Futurists, who staged a variety of banquets and turned restaurants into venues for gastronomic spectacles. They also wrote plays for the theatre in which food played an integral role. As an example I discuss 'Il pranzo di Sempronio' ('Semprono's Lunch') by Emilio Settimelli and Bruno Corra, which depicts the five life stages of a man in the form of a five-course meal that is served in five different locations. I also present some of the banquets held in Futurist venues, where cuisine formed part of a balanced, vibrant and dynamic whole that truly aspired to be a Total Work of Art.
Author Berghaus, Günter
Author_xml – sequence: 1
  givenname: Günter
  surname: Berghaus
  fullname: Berghaus, Günter
BookMark eNp9j81OwzAQhC1UJNrCA3BAyguk7Nq1a99AFX9SpRwoZ2vj2CIodZAdCfXtSdRy5TR7mJmdb8FmsY-esTuEFYKGexSSa1RyxQH1CiVyjuKCzXGtTGmMgdl4j55yMl2xRc5fACA1N3N2W8ViT3nwBcWmqIZPn4p3H7PP1-wyUJf9zVmX7OP5ab99LXfVy9v2cVc6LvVQeoGkjAsugNo0fvzuideA5B0oR1yBIrOua70hUg7HwSRQqwa4VkYAF0smT70u9TknH-x3ag-UjhbBTnz2j89OfPbMN-YeTrk2hj4d6KdPXWMHOnZ9Comia7MV_1f8AlP-VlE
ContentType Journal Article
Copyright 2018 Informa UK Limited, trading as Taylor & Francis Group 2018
Copyright_xml – notice: 2018 Informa UK Limited, trading as Taylor & Francis Group 2018
DBID AAYXX
CITATION
DOI 10.1080/13528165.2018.1512213
DatabaseName CrossRef
DatabaseTitle CrossRef
DatabaseTitleList
DeliveryMethod fulltext_linktorsrc
Discipline Drama
Dance
Languages & Literatures
EISSN 1469-9990
EndPage 28
ExternalDocumentID 10_1080_13528165_2018_1512213
1512213
Genre Articles
GroupedDBID -~X
.7I
.QK
0BK
0R~
123
29O
4.4
AAAVI
AACJB
AAGZJ
AAHTB
AAMFJ
AAMIU
AAPUL
AATTQ
AAZMC
ABBKH
ABCCR
ABCCY
ABFIM
ABJVF
ABLIJ
ABPEJ
ABPEM
ABPTK
ABPTX
ABQHQ
ABSSG
ABTAI
ABXUL
ACGFS
ACLSK
ACTIO
ACTOA
ADAHI
ADCVX
AECIN
AEGYZ
AEISY
AEKEX
AEMXT
AEOZL
AEPSL
AEVYS
AEYOC
AEZRU
AFOLD
AFWLO
AGDLA
AGMYJ
AGRBW
AIJEM
AKBVH
ALMA_UNASSIGNED_HOLDINGS
ALQZU
AVBZW
BEJHT
BLEHA
BMOTO
BOHLJ
CCCUG
CQ1
CS3
DGFLZ
DKSSO
DU5
EBS
EIB
EJD
E~B
E~C
FUNRP
G-F
GTTXZ
H13
HF~
HZ~
IPNFZ
J.O
KDLKA
KYCEM
M4Z
NA5
O9-
P2P
PQEST
PQQKQ
RIG
RNANH
ROSJB
RSYQP
S-F
STATR
TEA
TFH
TFL
TFOJV
TFW
TNTFI
TRJHH
UT5
UT9
V1K
VAE
YNT
~01
~S~
AAYXX
ABJNI
ABXYU
ADKVQ
AHDZW
CITATION
TBQAZ
TUROJ
ID FETCH-LOGICAL-c258t-e31a69cfcf067de151ea2b01aec06ca2606a94bb87aa6c1108a3186d028693023
ISSN 1352-8165
IngestDate Thu Nov 21 22:02:15 EST 2024
Tue Jul 04 18:18:35 EDT 2023
IsPeerReviewed true
IsScholarly true
Issue 4-5
Language English
LinkModel OpenURL
MergedId FETCHMERGED-LOGICAL-c258t-e31a69cfcf067de151ea2b01aec06ca2606a94bb87aa6c1108a3186d028693023
PageCount 7
ParticipantIDs informaworld_taylorfrancis_310_1080_13528165_2018_1512213
crossref_primary_10_1080_13528165_2018_1512213
PublicationCentury 2000
PublicationDate 2018-07-04
PublicationDateYYYYMMDD 2018-07-04
PublicationDate_xml – month: 07
  year: 2018
  text: 2018-07-04
  day: 04
PublicationDecade 2010
PublicationTitle Performance research
PublicationYear 2018
Publisher Routledge
Publisher_xml – name: Routledge
References Settimelli Emilio (CIT0011) 1992
Kirby Stanley (CIT0005) 1971
Verdone Mario (CIT0012) 1992
Salaris Claudia (CIT0008) 1986; 8
Arteaga Stefan (CIT0001) 1783; 1
CIT0010
Calco Tristano (CIT0003) 1644
Marinetti Filippo Tommaso (CIT0006) 1910
Marinetti Filippo Tommaso (CIT0007) 1989
CIT0004
Schelling Friedrich (CIT0009) 1859; 5
Berghaus Günter (CIT0002) 2011
References_xml – volume-title: The Futurist Cookbook
  year: 1989
  ident: CIT0007
  contributor:
    fullname: Marinetti Filippo Tommaso
– volume-title: Settimelli e il suo teatro
  year: 1992
  ident: CIT0012
  contributor:
    fullname: Verdone Mario
– volume-title: Futurist Performance
  year: 1971
  ident: CIT0005
  contributor:
    fullname: Kirby Stanley
– volume: 8
  start-page: 150
  issue: 84
  year: 1986
  ident: CIT0008
  publication-title: Alfabeta/La Quinzaine littéraire
  contributor:
    fullname: Salaris Claudia
– start-page: 152
  volume-title: Settimelli e il suo teatro
  year: 1992
  ident: CIT0011
  contributor:
    fullname: Settimelli Emilio
– ident: CIT0004
– start-page: 63
  volume-title: Tristani Chalci mediolanensis historiographi residua
  year: 1644
  ident: CIT0003
  contributor:
    fullname: Calco Tristano
– start-page: 9
  volume-title: Incendiario
  year: 1910
  ident: CIT0006
  contributor:
    fullname: Marinetti Filippo Tommaso
– volume: 5
  volume-title: Sämmtliche Werke, Erste Abteilung
  year: 1859
  ident: CIT0009
  contributor:
    fullname: Schelling Friedrich
– ident: CIT0010
– start-page: 13
  volume-title:
  year: 2011
  ident: CIT0002
  contributor:
    fullname: Berghaus Günter
– volume: 1
  volume-title: Le rivoluzioni del teatro musicale italiano
  year: 1783
  ident: CIT0001
  contributor:
    fullname: Arteaga Stefan
SSID ssj0005829
Score 2.121407
Snippet Renaissance theatre and avant-garde performance shared an interest in synaesthesia (a blending of different sensory impressions) and often aimed at creating...
SourceID crossref
informaworld
SourceType Aggregation Database
Publisher
StartPage 22
Subtitle Synaesthesia in Renaissance and Avant-garde performance
Title On Taste and Other Senses
URI https://www.tandfonline.com/doi/abs/10.1080/13528165.2018.1512213
Volume 23
hasFullText 1
inHoldings 1
isFullTextHit
isPrint
link http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwnV3NT4MwFG90u3gxOr_mVzgYL6bIR2FwdItmWaYzhiW7kbYUvYhmYxf_el9pYUyXxckBlia0rD94_fF4v_cQuiLMIV5qC5wSyjBhQuAwlE6cJOEC1oQk8KV2-PHJ74_JYOJNFlUBC3VJzkz-tVJX8h9UoQ1wlSrZDZCtOoUG-A34wh4Qhv2fMB5lNxEFmIovACNJ5eDZz2Y6LFBTzueaNECn9qlcwF0xfX2jc-Udl9_Mu72sjNfVrgA7KMJGSc16AZvCga2KL5hCtcH7L0y_qslZmjwl8dXQEuzVLZhTWwuVbvuXlVVhiXI0OZiMjwtMyRwcJStdzmr9Y7WpYgBtnZy07CaW3cS6m23UlJkNSQM1o5dBv7-I2gmKwnPVPy1FWYF1u_J6lujGUjLaGo2I9tCu5v_GnQJzH22JrIWaxbMnj1P6TlvoeKi9yDPj2hhWia9nB6g9yowCcgMgNwrIDQX5IRo_3Ee9PtbVLTB3vCDHwrWpH_KUp0AYEgHXK6jDLJsKbvmcwnumT0PCWNCh1OdSrUHB_voJEEJZvtJxj1Aj-8jECTKS1OJ26lopbIQSixKWwIHJCoUdOKGNzHIS4k-VxCReO_1tFNanKs4L71GqSr3E7tpzTzcd7AztLG7mc9TIp3NxAUwvZ5ca_W_-EkPA
link.rule.ids 314,780,784,27924,27925,59651,60440
linkProvider Taylor & Francis
linkToHtml http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV07T8MwED4hOsDCo7zK0wNiS8nDcZMRIapQ0laCVOoW2Y69IAJq04Vfjy8PaJFgaRYP0UWX89n30N13ANdUuNTXjrI05cKiQikrDDGJk2VSGZuQBQx7h4cjFk3oYOpPl3phsKwSY2hdAUWUdzUebkxGNyVxtw5CkjjMx8qsoIs2y8XBtS0_ZL45nK3keRBFP4UeQTmrDIkspGr6eP760IqFWsEvXbI8_V2QDc9Vwclrd1GIrvz8Bee43k_twU7tmJK7SpP2YUPlbWiVSoHrjL_xNhzHdXpzTm5I_I3IPD-AzjgnCTcqQwwHZIxuJXkxIbKaH8Kk_5DcR1Y9dsGSrh8UlvIczkKppTaWLFOGE8VdYTtcSZtJbgIgxkMqRNDjnElsI-DmYmCZ8VRwrqLrHcFm_p6rEyCZtqWjPVubh3JqcyoyswgcndczBB3oNqJOPyp0jdSpQUsbeaQoj7SWRwfC5Q1JizKtoasZJKn3L-3pGrRXsBUlwziNH0dPZ7CNr8qaXXoOm8VsoS6MZ1KIy1r1vgD_q9MC
linkToPdf http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwpV25TsNAEB2hREI0HOEKpwtEZ-NjvbFLBEQhhARBItFZezYIE8VOw9ez4wMSJGjiZgtrrPV4vDM7evsewAXhPgm1p2xNGLcJV8qOY2ziSCmUyQkyonh2-HFIexPSfw1rNGFWwSpxD61Loohircafeyp1jYi78pCRxKMhArMiB1OWj7q1TYryyQ1ojp_7vd4PziMqpMrQyEar-hjPXw9aSlBL9KULiae7Bbyecok3eXPmOXfE5y82x5XeaRs2q7LUui7jaAfWVNqCZhESOM7YO2vBwaBqbmbWpTX45mPOdqE9Sq0xMwFjmQlYIywqrRezQVbZHky6d-Obnl2JLtjCD6PcVoHHaCy00CaPSWVmopjPXY8p4VLBzPaHsphwHnUYowIPETCzLFBp6hRUVfSDfWikH6k6BEtqV3g6cLW5CCMuI1yagaNwXscYtMGpPZ1MS26NxKsoS2t_JOiPpPJHG-LF75HkRVNDlwokSfCv7dEKtuew_nTbTQb3w4dj2MA7BWCXnEAjn83VqSlLcn5WBd4XeXXRpg
openUrl ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=On+Taste+and+Other+Senses&rft.jtitle=Performance+research&rft.au=Berghaus%2C+G%C3%BCnter&rft.date=2018-07-04&rft.issn=1352-8165&rft.eissn=1469-9990&rft.volume=23&rft.issue=4-5&rft.spage=22&rft.epage=28&rft_id=info:doi/10.1080%2F13528165.2018.1512213&rft.externalDBID=n%2Fa&rft.externalDocID=10_1080_13528165_2018_1512213
thumbnail_l http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/lc.gif&issn=1352-8165&client=summon
thumbnail_m http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/mc.gif&issn=1352-8165&client=summon
thumbnail_s http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/sc.gif&issn=1352-8165&client=summon