Intimacy, Psyche, and Spirit in the Experience of Chinese and Japanese Calligraphy
In the West, we have adoped the word "calligraphy" to describe Chinese and Japanese writing out of the recognition that there is an aesthetic component inherent in the written characters. The author shows how Chinese and Japanese calligraphy is much more than writing; it must be approached...
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| Published in | Journal of religion and health Vol. 40; no. 1; pp. 129 - 166 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
New York
Kluwer Academic/Human Sciences Press
01.03.2001
Springer Nature B.V |
| Subjects | |
| Online Access | Get full text |
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| Abstract | In the West, we have adoped the word "calligraphy" to describe Chinese and Japanese writing out of the recognition that there is an aesthetic component inherent in the written characters. The author shows how Chinese and Japanese calligraphy is much more than writing; it must be approached as one would any piece of art. A brief history of Chinese and Japanese calligraphy is explored, including the elements and methods of brushwork and overall creation of the expressions themselves. The article concludes by looking at how calligraphy is a mode of self-discovery and self-development that opens us to a substantial dialogue between cultures and the paths of inner conversation. |
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| AbstractList | In the West, we have adoped the word "calligraphy" to describe Chinese and Japanese writing out of the recognition that there is an aesthetic component inherent in the written characters. The author shows how Chinese and Japanese calligraphy is much more than writing; it must be approached as one would any piece of art. A brief history of Chinese and Japanese calligraphy is explored, including the elements and methods of brushwork and overall creation of the expressions themselves. The article concludes by looking at how calligraphy is a mode of self-discovery and self-development that opens us to a substantial dialogue between cultures and the paths of inner conversation. In the West, we have adoped the word "calligraphy" to describe Chinese and Japanese writing out of the recognition that there is an aesthetic component inherent in the written characters. The author shows how Chinese and Japanese calligraphy is much more than writing; it must be approached as one would any piece of art. A brief history of Chinese and Japanese calligraphy is explored, including the elements and methods of brushwork and overall creation of the expressions themselves. The article concludes by looking at how calligraphy is a mode of self-discovery and self-development that opens us to a substantial dialogue between cultures and the paths of inner conversation.[PUBLICATION ABSTRACT] |
| Author | Gunn, Robert W. |
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| CitedBy_id | crossref_primary_10_1007_s10943_021_01479_0 crossref_primary_10_1016_j_sbspro_2012_06_868 crossref_primary_10_1016_j_visinf_2022_02_002 crossref_primary_10_1080_03601271003609058 crossref_primary_10_5392_JKCA_2014_14_06_063 |
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| Copyright | Copyright 2001 Blanton-Peale Institute Blanton-Peale Institute 2001 |
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| DOI | 10.1023/A:1012594508918 |
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| SubjectTerms | Buddhism Calligraphy Chinese culture Inks Japanese culture Journal writing Orthographies Poetry Self Writing |
| Title | Intimacy, Psyche, and Spirit in the Experience of Chinese and Japanese Calligraphy |
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