Sit venia verbo: A case for dermacriticism
This article introduces the term “skinnedness” as a complementary notion to what we commonly refer to as skin. The term allows for a fundamental conceptual discussion that brings together human skin, animal skin, and other types of organic or artificial skin, such as fruit skin or the soft outer lay...
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| Published in | Orbis litterarum Vol. 79; no. 5; pp. 449 - 471 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
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01.10.2024
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| Abstract | This article introduces the term “skinnedness” as a complementary notion to what we commonly refer to as skin. The term allows for a fundamental conceptual discussion that brings together human skin, animal skin, and other types of organic or artificial skin, such as fruit skin or the soft outer layer of a doll. The dermacritical approach developed here explores the unique affordances of skin and skin‐like phenomena, including their “graphordance,” that is, the implicit invitation to write on them. Through a thorough discussion of works by Oskar Kokoschka, Hermine Moos, Lester Gaba, and Herta Müller, this paper offers a philosophically and historically informed perspective on the skinnedness of skin, integrating its symptomatic, semantic, and aesthetic dimensions from a comparative literary perspective. |
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| AbstractList | This article introduces the term “skinnedness” as a complementary notion to what we commonly refer to as skin. The term allows for a fundamental conceptual discussion that brings together human skin, animal skin, and other types of organic or artificial skin, such as fruit skin or the soft outer layer of a doll. The dermacritical approach developed here explores the unique affordances of skin and skin‐like phenomena, including their “graphordance,” that is, the implicit invitation to write on them. Through a thorough discussion of works by Oskar Kokoschka, Hermine Moos, Lester Gaba, and Herta Müller, this paper offers a philosophically and historically informed perspective on the skinnedness of skin, integrating its symptomatic, semantic, and aesthetic dimensions from a comparative literary perspective. |
| Author | Hron, Irina |
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| Copyright | 2024 The Author(s). published by John Wiley & Sons Ltd. 2024. This article is published under http://creativecommons.org/licenses/by-nc-nd/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. |
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| Title | Sit venia verbo: A case for dermacriticism |
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