"Mourning" and the Gender Politics of Cavalier Joy
By reading the Chlora of Marvell’s “Mourning” as Mary Kirke, the married mistress of Francis Villiers, this essay utilizes Marvell’s depiction of Kirke in “A Poem Upon the Death of My Lord Francis Villiers” as an intertext for “Mourning.” Focusing on the turn from mourning to rejoicing in both poems...
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Published in | Marvell Studies Vol. 7; no. 1 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Open Library of Humanities
09.06.2022
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Subjects | |
Online Access | Get full text |
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Summary: | By reading the Chlora of Marvell’s “Mourning” as Mary Kirke, the married mistress of Francis Villiers, this essay utilizes Marvell’s depiction of Kirke in “A Poem Upon the Death of My Lord Francis Villiers” as an intertext for “Mourning.” Focusing on the turn from mourning to rejoicing in both poems, it shows how Marvell’s critique of Cavalier joy in the Villiers elegy, exposing its violent narcissism and incoherent amorousness, informs a similar critique in “Mourning,” made through the figure of a weeping Chlora-Kirke. The poem critiques the Cavalier ethos by having male observers project onto the lachrymose Chlora-Kirke their own notion of lusty joy, which had lost its pretensions to military glory by 1648. Such an argument reveals the misogynistic paradox at the heart of the Cavalier ethos: adulterous relations are valorized, but women’s tears are compulsively scrutinized, so Cavalier mistresses are unable to mourn the death of their lovers even as the culture makes it seem possible. The essay concludes by suggesting that Marvell’s depiction of Chlora-Kirke’s tears in “Mourning” informs the poet’s experiments with the gendered dynamics of weeping in his Commonwealth encomia, including Upon Appleton House and The First Anniversary of the Government Under His Highness the Lord Protector, as he grows tired of negatively associating women with weeping.@font-face{font-family:Arial;panose-1:2 11 6 4 2 2 2 2 2 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536859905 -1073711037 9 0 511 0;}@font-face{font-family:"MS 明朝";mso-font-charset:78;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1791491579 18 0 131231 0;}@font-face{font-family:"Cambria Math";panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face{font-family:"Lato Light";panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:swiss;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-fareast-font-family:"MS 明朝";mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}p.Default, li.Default, div.Default{mso-style-name:Default;mso-style-unhide:no;mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:none;mso-layout-grid-align:none;text-autospace:none;font-size:12.0pt;font-family:"Lato Light","sans-serif";mso-fareast-font-family:"MS 明朝";mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:"Lato Light";color:black;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;mso-fareast-font-family:"MS 明朝";mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}div.WordSection1{page:WordSection1;}@font-face{font-family:"MS 明朝";mso-font-charset:78;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1791491579 18 0 131231 0;}@font-face{font-family:"MS 明朝";mso-font-charset:78;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:-536870145 1791491579 18 0 131231 0;}@font-face{font-family:"Lato Light";panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:"Times New Roman";mso-font-charset:77;mso-generic-font-family:swiss;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-unhide:no;mso-style-qformat:yes;mso-style-parent:"";margin:0in;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-fareast-font-family:"MS 明朝";mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}.MsoChpDefault{mso-style-type:export-only;mso-default-props:yes;mso-fareast-font-family:"MS 明朝";mso-fareast-theme-font:minor-fareast;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}div.WordSection1{page:WordSection1;} |
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ISSN: | 2399-7435 2399-7435 |
DOI: | 10.16995/marv.8566 |