Splendid patriotism: How the Illustrated London News pictured the Confederacy

At a time when newspaper reports from Richmond or Charleston were few and the Southern states remained mysterious in Europe, Frank Vizetelly's drawings helped give an international audience a way to see the stirrings of a would-be nation, while his commentary made it possible to read the conser...

Full description

Saved in:
Bibliographic Details
Published inComparative American studies Vol. 5; no. 4; pp. 385 - 407
Main Author Diffley, Kathleen
Format Journal Article
LanguageEnglish
Published Routledge 01.12.2007
Subjects
Online AccessGet full text

Cover

Loading…
More Information
Summary:At a time when newspaper reports from Richmond or Charleston were few and the Southern states remained mysterious in Europe, Frank Vizetelly's drawings helped give an international audience a way to see the stirrings of a would-be nation, while his commentary made it possible to read the conservative social order of the South against both the market enthusiasms of the North and the growing clamor for reform and wider suffrage in Britain itself. The problem of heterogeneity in Britain's domestic affairs thus made the American Civil War at once newsworthy and a virtual referendum on social change, particularly when the ILN printed the best pictorial coverage of the Confederacy. Invoking the recent wars in Italy, Vizetelly tied Confederate secession to Italian independence, but as a result he also insinuated the steadfast commitment to emancipation that had made Garibaldi the hero of London and the abolitionist North.
Bibliography:ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
ISSN:1477-5700
1741-2676
DOI:10.1179/147757007X228181