Nonstring Music Teachers’ Comfort Teaching String Ensembles
This study was designed to explore nonstring specialists’ comfort teaching students in string ensembles. Comfort was defined as an individual’s ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-d...
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Published in | String research journal Vol. 13; no. 1; pp. 33 - 49 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Los Angeles, CA
SAGE Publications
01.07.2023
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Subjects | |
Online Access | Get full text |
ISSN | 1948-4992 2164-0661 |
DOI | 10.1177/19484992221121757 |
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Abstract | This study was designed to explore nonstring specialists’ comfort teaching students in string ensembles. Comfort was defined as an individual’s ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-developed study. Participants (N = 180), who were identified through the National Association for Music Education membership list, were contacted via email. Responses were analyzed using descriptive and parametric statistics. Results revealed that band specialists felt significantly more comfortable in string teaching situations than choir and elementary general music specialists. Participants who took a string methods course, as compared with those who did not, felt more comfortable teaching seven specific string topics. Participants who were currently teaching string ensembles felt more comfortable teaching all string topics, except for vibrato technique. Participants who had taught strings in the past were significantly more comfortable teaching string ensembles than those who had never taught strings. The findings of this study could help higher education string methods instructors select instructional activities and course topics that were revealed to provide the most beneficial experiences. |
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AbstractList | This study was designed to explore nonstring specialists' comfort teaching students in string ensembles. Comfort was defined as an individual's ease when teaching the subject matter. Data were gathered, using a 7-point Likert-type scale related to 15 string topics administered through a researcher-developed study. Participants ("N" = 180), who were identified through the National Association for Music Education membership list, were contacted via email. Responses were analyzed using descriptive and parametric statistics. Results revealed that band specialists felt significantly more comfortable in string teaching situations than choir and elementary general music specialists. Participants who took a string methods course, as compared with those who did not, felt more comfortable teaching seven specific string topics. Participants who were currently teaching string ensembles felt more comfortable teaching all string topics, except for vibrato technique. Participants who had taught strings in the past were significantly more comfortable teaching string ensembles than those who had never taught strings. The findings of this study could help higher education string methods instructors select instructional activities and course topics that were revealed to provide the most beneficial experiences. |
Audience | Higher Education Postsecondary Education |
Author | Kim, Ji-Eun (Jen) |
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Snippet | This study was designed to explore nonstring specialists’ comfort teaching students in string ensembles. Comfort was defined as an individual’s ease when... This study was designed to explore nonstring specialists' comfort teaching students in string ensembles. Comfort was defined as an individual's ease when... |
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SubjectTerms | Methods Courses Music Education Music Teachers Music Techniques Musical Instruments Preservice Teachers Specialists Specialization Teacher Attitudes Teacher Education Programs |
Title | Nonstring Music Teachers’ Comfort Teaching String Ensembles |
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