Zebra stripes induce aberrant motion analysis in flies through aliasing

• Published in: Journal of experimental biology Vol. 228; no. 4
• Main Author: Mouy, Henri
• Format: Journal Article
• Language: English
• Published: England 15.02.2025
• Subjects: Animals; Models, Biological; Motion Perception; Pigmentation; Equus zebra; Stripes; Glossina; Aliasing; Dazzle
• ISSN: 0022-0949; 1477-9145; 1477-9145
• DOI: 10.1242/jeb.249601

The function of zebra stripes has long puzzled biologists: contrasted and conspicuous colours are unusual in mammals. The puzzle appears solved: two lines of evidence indicate that they evolved as a protection against biting flies, the geographical coincidence of stripes and exposure to trypanosomiasis in Africa and field experiments showing flies struggling to navigate near zebras. A logical mechanistic explanation would be that stripes interfere with analysis of the optic flow; however, both spatiotemporal aliasing and the aperture effect seem ruled out following recent experiments showing that randomly checked patterns also interfere with the ability of flies to navigate near zebras. No clear mechanistic hypothesis remains. Here, I model from first principles how flies assess their motion relative to stripes, from image forming to motion analysis. I show that, at short distances, flies would consistently misjudge the motion of a striped object and frequently and saliently misjudge the direction of movement of a randomised check pattern. The range of distances at which the model predicts that stripes should impair flies is consistent with observations. The model shows that image formation is subject to spatial aliasing, preventing any form of motion analysis against a striped pattern at medium distances. The motion computation of flies is subject to a second form of aliasing, which, although independent of the temporal resolution of flies, bears conceptual similarities to spatiotemporal aliasing. The findings highlight the necessity of accounting not only for processing and psychology but also for the optics of image formation when taking a perceptual perspective of animal colours and contrasts.