Loving Gardens, Loving the Gardener? ‘Solitude’ in Andrew Marvell’s ‘The Garden
In 'The Garden', Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell's insistence that he prefers solitude to 'society', at the end of the poem his attention comes to rest approvingly on a h...
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Published in | Marvell Studies Vol. 3; no. 2 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Ubiquity Press Ltd
11.10.2018
Open Library of Humanities |
Subjects | |
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Abstract | In 'The Garden', Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell's insistence that he prefers solitude to 'society', at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener. Reading 'The Garden' alongside 'Damon the Mower', this article suggests that Marvell's sensually-charged engagement with the plants, trees, and fruits in 'The Garden' can be interpreted as a means of accessing and loving the Gardener himself. On one reading of 'Damon the Mower', the narrator caresses Damon through the landscape. Tracking similar themes in 'The Garden' suggests that something similar may be occurring in this poem, too. Keywords: Andrew Marvell, poetry, sexuality, pastoral, solitude |
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AbstractList | In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s insistence that he prefers solitude to ‘society’, at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener. Reading ‘The Garden’ alongside ‘Damon the Mower’, this article suggests that Marvell’s sensually-charged engagement with the plants, trees, and fruits in ‘The Garden’ can be interpreted as a means of accessing and loving the Gardener himself. On one reading of ‘Damon the Mower’, the narrator caresses Damon through the landscape. Tracking similar themes in ‘The Garden’ suggests that something similar may be occurring in this poem, too. In 'The Garden', Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell's insistence that he prefers solitude to 'society', at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener. Reading 'The Garden' alongside 'Damon the Mower', this article suggests that Marvell's sensually-charged engagement with the plants, trees, and fruits in 'The Garden' can be interpreted as a means of accessing and loving the Gardener himself. On one reading of 'Damon the Mower', the narrator caresses Damon through the landscape. Tracking similar themes in 'The Garden' suggests that something similar may be occurring in this poem, too. Keywords: Andrew Marvell, poetry, sexuality, pastoral, solitude |
Audience | Academic |
Author | Seymour, Laura |
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Cites_doi | 10.5749/minnesota/9780816680764.003.0007 10.1093/camqtly/bfn006 10.1353/sip.2014.0006 10.1353/sip.2007.0016 |
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Snippet | In 'The Garden', Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell's... In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s... |
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Title | Loving Gardens, Loving the Gardener? ‘Solitude’ in Andrew Marvell’s ‘The Garden |
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