Rome Awards: A return to cinema d'impegno? Contemporary cinematic engagements with organized crime
Holdaway investigated the political potential of cinema since the beginning of the 2000s, with a thematic focus on the representation of organized crime--the term is chosen carefully to allow an investigation that transcends (without excluding) traditional models of 'mafia cinema'.
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Published in | Papers of the British School at Rome Vol. 80; pp. 353 - 354 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Cambridge, UK
Cambridge University Press
01.10.2012
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Subjects | |
Online Access | Get full text |
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Abstract | Holdaway investigated the political potential of cinema since the beginning of the 2000s, with a thematic focus on the representation of organized crime--the term is chosen carefully to allow an investigation that transcends (without excluding) traditional models of 'mafia cinema'. |
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AbstractList | Holdaway investigated the political potential of cinema since the beginning of the 2000s, with a thematic focus on the representation of organized crime--the term is chosen carefully to allow an investigation that transcends (without excluding) traditional models of 'mafia cinema'. |
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SubjectTerms | Crime Film Study Motion picture criticism Organized crime Politics Realism Research Reports Social Change |
Title | Rome Awards: A return to cinema d'impegno? Contemporary cinematic engagements with organized crime |
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