Sounding fascism: T. W. Adorno and the political susceptibility of music

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Published inRenaissance and modern studies Vol. 42; no. 1; pp. 36 - 48
Main Author Tregear, Peter
Format Journal Article
LanguageEnglish
Published Taylor & Francis Group 01.01.1999
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Author Tregear, Peter
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10.1016/0191-6599(94)90142-2
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10.1017/CBO9780511552441
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CIT0030
Boyden M. (CIT0002) 1999
CIT0032
CIT0031
CIT0012
CIT0034
CIT0033
Berman Russell A. (CIT0011) 1986
Adorno (CIT0021) 1973
Mann Thomas (CIT0043) 1985
Weber Max (CIT0047) 1948
Berman Russell A. (CIT0004) 1992
CIT0036
Gilliam Bryan (CIT0001) 1999
CIT0035
CIT0016
CIT0015
Daniel Jamie Owen (CIT0027) 1989; 12
CIT0037
CIT0018
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CIT0039
Schnapp Jeffrey T. (CIT0010) 1992
CIT0019
CIT0041
Kolakowski Leszek (CIT0044) 1990
CIT0020
CIT0042
CIT0023
CIT0045
CIT0022
Žižek Slavoj (CIT0007) 1989
Fichte J. G. (CIT0013) 1978
Sontag Susan (CIT0040) 1980
CIT0025
Kennedy Michael (CIT0003) 1999
Benjamin Walter (CIT0009) 1969
CIT0024
CIT0046
CIT0005
Adorno (CIT0026) 1937; 5
CIT0029
CIT0006
CIT0028
CIT0008
References_xml – volume-title: The German Quest for Primal Origins in Art, Culture and Politics, 1900–1933; Die ‘Flucht in Urzustände’
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– volume-title: Reden an die deutschen Nation
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  publication-title: Zeitschrift für Sozialforschung
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– ident: CIT0028
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– volume-title: The Aesthetics of Music
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– start-page: 3
  volume-title: Fascism, Aesthetics and Culture
  year: 1992
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– ident: CIT0020
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– volume-title: Negative Dialectics
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– volume-title: Richard Strauss
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  doi: 10.1111/j.0022-3840.1996.00155.x
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Title Sounding fascism: T. W. Adorno and the political susceptibility of music
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