The Cambridge Companion to Shakespeare's Language. Lynne Magnusson and David Schalkwyk, eds. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 2019. xiv + 298 pp. $24.99
Jonathan Hope's essay is the first of three in part 3, “New Technologies,” and offers an accessible how-to guide for performing text analysis using open-source tools, sample assignments, case studies, and an annotated list of digital resources useful for practitioners at any level of expertise....
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Published in | Renaissance quarterly Vol. 74; no. 1; pp. 353 - 355 |
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Main Author | |
Format | Journal Article Book Review |
Language | English |
Published |
Cambridge
Cambridge University Press
01.04.2021
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Subjects | |
Online Access | Get full text |
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Abstract | Jonathan Hope's essay is the first of three in part 3, “New Technologies,” and offers an accessible how-to guide for performing text analysis using open-source tools, sample assignments, case studies, and an annotated list of digital resources useful for practitioners at any level of expertise. Next, Hugh Craig effectively demonstrates how one may put distant- and close-reading practices in conversation to examine variations and distinctions emerging throughout Shakespeare's language within the context of his claim that there is “no essential universal Shakespeare style” (185). Douglas M. Lanier deftly draws this collection to a close by reflecting on Shakespeare's language in the context of popular culture, suggesting that one view popular performances and readings of Shakespeare as alternative hermeneutics for recognizing how those outside the “Shakespeare industry process the poet's language” (261). |
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AbstractList | Jonathan Hope's essay is the first of three in part 3, “New Technologies,” and offers an accessible how-to guide for performing text analysis using open-source tools, sample assignments, case studies, and an annotated list of digital resources useful for practitioners at any level of expertise. Next, Hugh Craig effectively demonstrates how one may put distant- and close-reading practices in conversation to examine variations and distinctions emerging throughout Shakespeare's language within the context of his claim that there is “no essential universal Shakespeare style” (185). Douglas M. Lanier deftly draws this collection to a close by reflecting on Shakespeare's language in the context of popular culture, suggesting that one view popular performances and readings of Shakespeare as alternative hermeneutics for recognizing how those outside the “Shakespeare industry process the poet's language” (261). |
Author | Bennett, Kristen Abbott |
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Copyright | Copyright © The Author(s) 2021. Published by the Renaissance Society of America |
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SubjectTerms | Conversation Cultural factors English literature Essays Exegesis & hermeneutics Language Popular culture Renaissance period Rhetoric Schalkwyk, David Shakespeare plays Text analysis |
Title | The Cambridge Companion to Shakespeare's Language. Lynne Magnusson and David Schalkwyk, eds. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 2019. xiv + 298 pp. $24.99 |
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