Life after New Media Mediation as a Vital Process
An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move...
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Main Authors | , |
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Format | eBook |
Language | English |
Published |
Cambridge
The MIT Press
2012
MIT Press |
Edition | 1 |
Subjects | |
Online Access | Get full text |
ISBN | 9780262018197 0262018195 0262527464 9780262527460 |
DOI | 10.7551/mitpress/8796.001.0001 |
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Abstract | An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation.
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects—computers, smart phones, iPods, Kindles—to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated—subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms.
By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation—all-encompassing and indivisible—becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice. |
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AbstractList | An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation.
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects—computers, smart phones, iPods, Kindles—to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated—subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms.
By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation—all-encompassing and indivisible—becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice. An argument for a shift in understanding new media--from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects--computers, smart phones, iPods, Kindles--to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated--subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation--all-encompassing and indivisible--becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a "cut" to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of "doing" media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects-computers, smart phones, iPods, Kindles-to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated-subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation-all-encompassing and indivisible-becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a "cut" to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of "doing" media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice. Summary reprinted by permission of MIT Press |
Author | Zylinska, Joanna Kember, Sarah |
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Snippet | An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation.
In Life after New... An argument for a shift in understanding new media--from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move... In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move... |
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StartPage | xx |
SubjectTerms | Critical Theory Cultural Studies Digital Humanities & New Media Digital media Digital technology Ethics Human biology Mass media and technology Media Media Studies Mediation New Media Theory New technology Philosophy Social Aspects Social life Social media SOCIAL SCIENCE Social Sciences Technology TECHNOLOGY & ENGINEERING |
Subtitle | Mediation as a Vital Process |
TableOfContents | Cover
Title Page, Copyright
Contents
Epigraph: Media, Mars, and Metamorphosis (An Excerpt)
Acknowledgments
Introduction: New Media, Old Hat
1. Mediation and the Vitality of Media
2. Catastrophe “Live”
3. Cut! The Imperative of Photographic Mediation
Interlude: I Don’t Go to the Movies
4. Home, Sweet Intelligent Home
5. Sustainability, Self-Preservation, and Self-Mediation
6. Face-to-Facebook, or the Ethics of Mediation: From Media Ethics to an Ethics of Mediation
7. Remediating Creativity: Performance, Invention, Critique Reclaiming Creativity
Conclusion: Creative Media Manifesto
Notes
References
Index Intro -- Contents -- Media, Mars, and Metamorphosis (An Excerpt) -- Acknowledgments -- Introduction: New Media, Old Hat -- 1 Mediation and the Vitality of Media -- 2 Catastrophe "Live" -- 3 Cut! The Imperative of Photographic Mediation -- Interlude: I Don't Go to the Movies -- 4 Home, Sweet Intelligent Home -- 5 Sustainability, Self-Preservation, and Self-Mediation -- 6 Face-to-Facebook, or the Ethics of Mediation: From Media Ethics to an Ethics of Mediation -- 7 Remediating Creativity: Performance, Invention, Critique Reclaiming Creativity -- Conclusion: Creative Media Manifesto -- Notes -- References -- Index |
Title | Life after New Media |
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