Life after New Media Mediation as a Vital Process

An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move...

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Main Authors Kember, Sarah, Zylinska, Joanna
Format eBook
LanguageEnglish
Published Cambridge The MIT Press 2012
MIT Press
Edition1
Subjects
Online AccessGet full text
ISBN9780262018197
0262018195
0262527464
9780262527460
DOI10.7551/mitpress/8796.001.0001

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Abstract An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects—computers, smart phones, iPods, Kindles—to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated—subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation—all-encompassing and indivisible—becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice.
AbstractList An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects—computers, smart phones, iPods, Kindles—to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated—subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation—all-encompassing and indivisible—becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice.
An argument for a shift in understanding new media--from a fascination with devices to an examination of the complex processes of mediation.
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects--computers, smart phones, iPods, Kindles--to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated--subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation--all-encompassing and indivisible--becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a "cut" to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of "doing" media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice.
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects-computers, smart phones, iPods, Kindles-to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated-subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation-all-encompassing and indivisible-becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a "cut" to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of "doing" media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice. Summary reprinted by permission of MIT Press
Author Zylinska, Joanna
Kember, Sarah
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Snippet An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New...
An argument for a shift in understanding new media--from a fascination with devices to an examination of the complex processes of mediation.
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move...
In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move...
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SubjectTerms Critical Theory
Cultural Studies
Digital Humanities & New Media
Digital media
Digital technology
Ethics
Human biology
Mass media and technology
Media
Media Studies
Mediation
New Media Theory
New technology
Philosophy
Social Aspects
Social life
Social media
SOCIAL SCIENCE
Social Sciences
Technology
TECHNOLOGY & ENGINEERING
Subtitle Mediation as a Vital Process
TableOfContents Cover Title Page, Copyright Contents Epigraph: Media, Mars, and Metamorphosis (An Excerpt) Acknowledgments Introduction: New Media, Old Hat 1. Mediation and the Vitality of Media 2. Catastrophe “Live” 3. Cut! The Imperative of Photographic Mediation Interlude: I Don’t Go to the Movies 4. Home, Sweet Intelligent Home 5. Sustainability, Self-Preservation, and Self-Mediation 6. Face-to-Facebook, or the Ethics of Mediation: From Media Ethics to an Ethics of Mediation 7. Remediating Creativity: Performance, Invention, Critique Reclaiming Creativity Conclusion: Creative Media Manifesto Notes References Index
Intro -- Contents -- Media, Mars, and Metamorphosis (An Excerpt) -- Acknowledgments -- Introduction: New Media, Old Hat -- 1 Mediation and the Vitality of Media -- 2 Catastrophe "Live" -- 3 Cut! The Imperative of Photographic Mediation -- Interlude: I Don't Go to the Movies -- 4 Home, Sweet Intelligent Home -- 5 Sustainability, Self-Preservation, and Self-Mediation -- 6 Face-to-Facebook, or the Ethics of Mediation: From Media Ethics to an Ethics of Mediation -- 7 Remediating Creativity: Performance, Invention, Critique Reclaiming Creativity -- Conclusion: Creative Media Manifesto -- Notes -- References -- Index
Title Life after New Media
URI http://dx.doi.org/10.7551/mitpress/8796.001.0001
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