Religion of the Gods Ritual, Paradox, and Reflexivity

In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found—that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of...

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Main Author Patton, Kimberley Christine
Format eBook
LanguageEnglish
Published New York Oxford University Press 01.03.2009
Oxford University Press, Incorporated
Edition1
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Abstract In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found—that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just “big people” and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon. This book takes up anew a longstanding challenge in ancient Greek religious iconography: why are the Olympian gods depicted on classical pottery making libations? The sacrificing gods in ancient Greece are compared to gods who perform rituals in six other religious traditions: the Vedic gods, the heterodox god Zurvan of early Zoroastrianism, the Old Norse god Odin, the Christian God and Christ, the God of Judaism, and Islam's Allah. The book examines the comparative evidence from a cultural and historical perspective, uncovering deep structural resonances while also revealing crucial differences. Instead of looking for invisible recipients or lost myths, the book proposes the new category of “divine reflexivity.” Divinely performed ritual is a self-reflexive, self-expressive action that signals the origin of ritual in the divine and not the human realm. Above all, divine ritual is generative, both instigating and inspiring human religious activity. The religion practiced by the gods is both like and unlike human religious action. Seen from within the religious tradition, gods are not “big people,” but other than human. Human ritual is directed outward to a divine being, but the gods practice ritual on their own behalf. “Cultic time,” the symbiotic performance of ritual both in heaven and on earth, collapses the distinction between cult and theology each time ritual is performed.
AbstractList In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found--that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just "big people" and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon. In Religion of the Gods, Kimberley C. Patton uses a comparative approach to take up anew a longstanding challenge in ancient Greek religious iconography: why are the Olympian gods depicted on classical pottery making libations? The sacrificing gods in ancient Greece are compared to gods who perform rituals in six other religious traditions: the Vedic gods, the heterodox god Zurvan of early Zoroastrianism, the Old Norse god Odin, the Christian God and Christ, the God of Judaism, and Islam's Allah. Patton examines the comparative evidence from a cultural and historical perspective, uncovering deep structural resonances while also revealing crucial differences.
In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found—that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just “big people” and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon. This book takes up anew a longstanding challenge in ancient Greek religious iconography: why are the Olympian gods depicted on classical pottery making libations? The sacrificing gods in ancient Greece are compared to gods who perform rituals in six other religious traditions: the Vedic gods, the heterodox god Zurvan of early Zoroastrianism, the Old Norse god Odin, the Christian God and Christ, the God of Judaism, and Islam's Allah. The book examines the comparative evidence from a cultural and historical perspective, uncovering deep structural resonances while also revealing crucial differences. Instead of looking for invisible recipients or lost myths, the book proposes the new category of “divine reflexivity.” Divinely performed ritual is a self-reflexive, self-expressive action that signals the origin of ritual in the divine and not the human realm. Above all, divine ritual is generative, both instigating and inspiring human religious activity. The religion practiced by the gods is both like and unlike human religious action. Seen from within the religious tradition, gods are not “big people,” but other than human. Human ritual is directed outward to a divine being, but the gods practice ritual on their own behalf. “Cultic time,” the symbiotic performance of ritual both in heaven and on earth, collapses the distinction between cult and theology each time ritual is performed.
Author Patton, Kimberley Christine
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Keywords ancient Greece
divine reflexivity
god who worships
Zurvan
Vedic gods
iconography
Christ
Allah
Olympian gods
Odin
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Snippet In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found—that of the god who worships....
In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found--that of the god who worships....
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SourceType Publisher
SubjectTerms East Asian Religions
History of Religion
Religion
Religion in the Ancient World
Religions
Ritual
Subtitle Ritual, Paradox, and Reflexivity
TableOfContents Intro -- Contents -- List of Illustrations -- Introduction. The Problem of Sacrificing Gods -- I. Ancient Greek Gods in Ritual Performance -- 1. Is Libation Sacrifice? -- 2. Iconographic Evidence -- 3. "Terribly Strange and Paradoxical": Literary Evidence -- 4. "Divine Libation": A Century of Debate -- 5. The Problem Defined and a Proposed Solution: Divine Reflexivity in Ritual Representation -- II. The Wider Indo-European World: Polytheism -- Introduction: Ritualizing Gods in Indo-European Religious Traditions -- 6. Zoroastrian Heresy: Zurv&amp -- #257 -- n's Thousand-Year Sacrifice -- 7. "Myself to Myself ": The Norse Odin and Divine Autosacrifice -- III. The Peoples of the Book: Monotheism and Divine Ritual -- Introduction: The Special Interpretive Challenge of Divine Ritual in Monotheism -- 8. The Observant God of the Talmud -- 9. "God and His Angels Pray for the Prophet": A Qur'&amp -- #257 -- nic Paradigm -- Conclusion. "Religion of the Gods" -- Catalogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- X -- Y -- Z
Title Religion of the Gods
URI https://doi.org/10.1093/acprof:oso/9780195091069.001.0001
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