Sounds of modern history auditory cultures in 19th and 20th century europe
Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern...
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| Main Author | |
|---|---|
| Format | eBook Book |
| Language | English |
| Published |
New York
Berghahn Books
2014
Berghahn Berghahn Books, Incorporated |
| Edition | 1 |
| Subjects | |
| Online Access | Get full text |
| ISBN | 9781782384212 1782384227 9781782384229 1782384219 |
| DOI | 10.1515/9781782384229 |
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| Abstract | Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city. |
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| AbstractList | Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects such as performed and recorded music, auditory technologies like the telephone and stethoscope, and the ambient noise of the city. |
| Author | Morat, Daniel |
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| Copyright | 2014 Daniel Morat |
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| Notes | Includes bibliographical references and index |
| OCLC | 891081538 |
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| Snippet | Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th... Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by... |
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| SubjectTerms | 19th century 20th century Civilization Europe Europe -- Civilization -- 19th century Europe -- Civilization -- 20th century Europe -- Social conditions Europe -- Social life and customs General- HBTB- JFD Hearing Hearing -- Social aspects -- Europe -- History History Media studies- history Noise Noise -- Social aspects -- Europe -- History Recording and reproducing Social aspects Social change Social change -- Europe -- History Social conditions Social history- social science Social life and customs Sociology Sound Sound -- Recording and reproducing -- Europe -- History Sound -- Social aspects -- Europe -- History |
| SubjectTermsDisplay | Europe General- HBTB- JFD History Media studies- history Social history- social science |
| Subtitle | auditory cultures in 19th and 20th century europe |
| TableOfContents | Sounds of modern history: auditory cultures in 19th and 20th century europe -- Contents -- Figures -- Introduction -- Part I. Sound history in perspective -- 1. Futures of hearing pasts -- Part II. Literature, science, and sound technologies in the nineteenth century -- 2. English beat : the stethoscopic era’s sonic traces -- 3. The human telephone : physiology, neurology, and sound technologies -- Part III. Sound objects as artifacts of attraction -- 4. Listening to the horn : on the cultural history of the phonograph and the gramophone -- 5. Phones, horns, and “audio hoods” as media of attraction : early sound histories in vienna between 1883 and 1933 -- Part IV. Music listening in the laboratory and in the concert hall -- 6. From the piano pestilence to the phonograph solo : four case studies of musical expertise in the laboratory and on the city street -- 7. The invention of silence : audience behavior in berlin and london in the nineteenth century -- Part V. The sounds of world war I -- 8. Cheers, songs, and marching sounds : acoustic mobilization and collective affects at the beginning of world war I -- 9. Listening on the home front : music and the production of social meaning in german concert halls during world war I -- Part VI. Auditory cultures in the interwar period -- 10. In storms of steel : the soundscape of world war i and its impact on auditory media culture during the weimar period -- 11. Sound aesthetics and the global imagination in german media culture around 1930 -- 12. Neurasthenia, civilization, and the sounds of modern life : narratives of nervous illness in the interwar campaign against noise -- Part VII. The sounds of world war II -- 13. The silence of amsterdam before and during world war II : ecology, semiotics, and politics of urban sound -- Notes on contributors -- Index. Front Matter Table of Contents List of Figures Introduction 1: Futures of Hearing Pasts 2: English Beat: 3: The Human Telephone: 4: Listening to the Horn: 5: Phones, Horns, and “Audio Hoods” as Media of Attraction: 6: From the Piano Pestilence to the Phonograph Solo: 7: The Invention of Silence: 8: Cheers, Songs, and Marching Sounds: 9: Listening on the Home Front: 10: In Storms of Steel: 11: Sound Aesthetics and the Global Imagination in German Media Culture around 1930 12: Neurasthenia, Civilization, and the Sounds of Modern Life: 13: The Silence of Amsterdam before and during World War II: Notes on Contributors Index Intro -- Title page -- Copyright -- Contents -- Figures -- Introduction -- PART I Sound History in Perspective -- 1 Futures of Hearing Pasts -- PART II Literature, Science, and Sound Technologies in the Nineteenth Century -- 2 English Beat -- 3 The Human Telephone -- PART III Sound Objects as Artifacts of Attraction -- 4 Listening to the Horn -- 5 Phones, Horns, and "Audio Hoods" as Media of Attraction -- PART IV Music Listening in the Laboratory and in the Concert Hall -- 6 From the Piano Pestilence to the Phonograph Solo -- 7 The Invention of Silence -- PART V The Sounds of World War I -- 8 Cheers, Songs, and Marching Sounds -- 9 Listening on the Home Front -- PART VI Auditory Cultures in the Interwar Period -- 10 In Storms of Steel -- 11 Sound Aesthetics and the Global Imagination in German Media Culture around 1930 -- 12 Neurasthenia, Civilization, and the Sounds of Modern Life -- PART VII The Sounds of World War II -- 13 The Silence of Amsterdam before and during World War II -- Notes on Contributors -- Index |
| Title | Sounds of modern history |
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