Japanese mythology in film a semiotic approach to reading Japanese film and anime
A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-givin...
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Format | eBook Book |
Language | English |
Published |
Lanham
Lexington Books
2015
Bloomsbury Publishing Lexington Books/Fortress Academic |
Edition | 1 |
Subjects | |
Online Access | Get full text |
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Abstract | A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture’s representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text. |
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AbstractList | A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture’s representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text. This book introduces film semiotics and demonstrates its use as a theoretical tool for reading Japanese popular movies and anime. |
Author | Okuyama, Yoshiko |
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Discipline | Film |
EISBN | 0739190938 9780739190937 |
Edition | 1 |
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Notes | Includes bibliographical references (p. 215-228) and index |
OCLC | 908076306 |
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PublicationYear | 2015 |
Publisher | Lexington Books Bloomsbury Publishing Lexington Books/Fortress Academic |
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Snippet | A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from... This book introduces film semiotics and demonstrates its use as a theoretical tool for reading Japanese popular movies and anime. |
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SubjectTerms | Animated films Animated films -- Japan -- History and criticism Motion pictures Motion pictures - Japan - History and criticism Motion pictures -- Semiotics Mythology in motion pictures |
SubjectTermsDisplay | Animated films Motion pictures Mythology in motion pictures |
Subtitle | a semiotic approach to reading Japanese film and anime |
TableOfContents | Japanese mythology in film : a semiotic approach to reading Japanese film and anime -- Contents -- Preface -- Acknowledgments -- Conventions -- Part I: Semiotics for Film Analysis -- Chapter 1: Introduction: What Is Semiotics? -- Chapter 2: Reading Film: The Nature of Interpretation -- Chapter 3: Mythology in Film: Why Study Mythology in Popular Film and Anime? -- Chapter 4: Storytelling: What Is in the Story? -- Chapter 5: Visual Literacy: What Do We Get from Watching Film? -- Part II: Application -- Chapter 6: Taoism and Shinto Symbolism in Onmyōji (2001) and Onmyōji II (2003) -- Chapter 7: Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000) -- Chapter 8: Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008) -- Chapter 9: Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004) -- Chapter 10: Conclusion: Social Usage of Mythology -- Bibliography -- Index -- About the Author. Intro -- Contents -- Preface -- Acknowledgments -- Conventions -- Part I. SEMIOTICS FOR FILM ANALYSIS -- Chapter 1. Introduction: What Is Semiotics? -- Chapter 2. Reading Film: The Nature of Interpretation -- Chapter 3. Mythology in Film: Why Study Mythology in Popular Film and Anime? -- Chapter 4. Storytelling: What Is in the Story? -- Chapter 5. Visual Literacy: What Do We Get from Watching Film? -- Part II. APPLICATION -- Chapter 6. Taoism and Shinto Symbolism in Onmyoji (2001) and Onmyo¯ji II (2003) -- Chapter 7. Folklore Motifs in Spirited Away (2001) and Princess Mononoke (2000) -- Chapter 8. Motifs of Buddhism and Folklore in Dororo (2007) and Departures (2008) -- Chapter 9. Eclectic Myths in Mushi-shi (2006) and Cyborg Mythology of Ghost in the Shell 2: Innocence (2004) -- Chapter 10. Conclusion. Social Usage of Mythology -- Bibliography -- Index -- About the Author |
Title | Japanese mythology in film |
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