Reuse, Misuse, Abuse The Ethics of Audiovisual Appropriation in the Digital Era
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events.
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| Main Author | |
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| Format | eBook Book |
| Language | English |
| Published |
New Brunswick
Rutgers University Press
2021
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| Edition | 1 |
| Subjects | |
| Online Access | Get full text |
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| Abstract | In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. |
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| AbstractList | In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications. In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications. In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. |
| Author | Baron, Jaimie |
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| Keywords | Audio, Audiovisual, Contemporary, Culture, Digital Era, Documentary, Ethics, Films, Recording, Scholars, Videos, Visual, Footage, People, Life, Events, Originality, Content, Reuse, Gas, Intimate Traces |
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| Notes | Includes bibliographical references (p.195-202) and index Includes filmography (p.177-178) |
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| Snippet | In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such... |
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| SubjectTerms | Actualities (Motion pictures) Audio, Audiovisual, Contemporary, Culture, Digital Era, Documentary, Ethics, Films, Recording, Scholars, Videos, Visual, Footage, People, Life, Events, Originality, Content, Reuse, Gas, Intimate Traces Documentary films Documentary films -- Moral and ethical aspects Gaze in motion pictures Moral and ethical aspects SOCIAL SCIENCE / General Social sciences Stock footage Video recordings -- Moral and ethical aspects |
| Subtitle | The Ethics of Audiovisual Appropriation in the Digital Era |
| TableOfContents | Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Theorizing Misuse -- 1. (Re)exposing Intimate Traces -- 2. Speaking through Others -- 3. Dislocating the Hegemonic Gaze -- 4. Reframing the Perpetrator's Gaze -- 5. Abusing Images -- Filmography -- Acknowledgments -- Notes -- Bibliography -- Index 5 Abusing Images -- Acknowledgments -- 1 (Re)exposing Intimate Traces -- Contents -- 4 Reframing the Perpetrator’s Gaze -- 3 Dislocating the Hegemonic Gaze -- Frontmatter -- Introduction: Theorizing Misuse -- Index 2 Speaking through Others -- Filmography -- Bibliography -- |
| Title | Reuse, Misuse, Abuse |
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