Digital Printing of Textiles

This comprehensive introduction to the textile industry is broken into five sections. After two introductory chapters, it goes on to look in a number of detailed chapters at printer and print head technologies. The next section examines the printer software required for successful color design and m...

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Main Author Ujiie, H
Format eBook Book
LanguageEnglish
Published Cambridge Woodhead Publishing 2006
Boca Raton Woodhead Pub
CRC Press
Elsevier Science & Technology
Woodhead Publishing India PVT. LTD
Edition1
SeriesWoodhead publishing in textiles
Subjects
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Abstract This comprehensive introduction to the textile industry is broken into five sections. After two introductory chapters, it goes on to look in a number of detailed chapters at printer and print head technologies. The next section examines the printer software required for successful color design and management. The digital printing coloration process is explored next, with chapters on substrate preparation, pigmented ink, aqueous inkjet ink, pre-treatment and printing on cationized cotton with reactive inks. The book is concluded with three chapters on the design and business aspect of digital printing.
AbstractList This comprehensive introduction to the textile industry is broken into five sections. After two introductory chapters, it goes on to look in a number of detailed chapters at printer and print head technologies. The next section examines the printer software required for successful color design and management. The digital printing coloration process is explored next, with chapters on substrate preparation, pigmented ink, aqueous inkjet ink, pre-treatment and printing on cationized cotton with reactive inks. The book is concluded with three chapters on the design and business aspect of digital printing.
At present the textile industry produces the majority of its 34 billion square yards of printed textile fabric by screen printing. However as we move into the digital age it was only a matter of time before developments in digital printing of paper were adapted for the textile market. This important collection provides coverage of all the current developments in digital textile printing. It is divided into four parts, covering printer and print head technologies, printer software, digital printing colouration and design and business for digital printing.
At present the textile industry produces the majority of its 34 billion square yards of printed textile fabric by screen printing. However as we move into the digital age developments in digital printing of paper are being adapted more and more for the textile market. Inkjet textile printing is growing while growth in analog textile printing remains stagnant. As digital print technologies improve offering faster production and larger cost-effective print runs, digital printing will grow to become the technology that provides the majority of the world's printed textiles.This comprehensive introduction to the subject is broken into five sections. After two introductory chapters, it goes on to look in a number of detailed chapters at printer and print head technologies. The next section examines the printer software required for successful colour design and management. The digital printing colouration process is explored next, with chapters on substrate preparation, pigmented ink, aqueous inkjet ink, pre-treatment and printing on cationized cotton with reactive inks. The book is concluded with three chapters on the design and business aspect of digital printing.Digital printing of textiles contains fundamental technical explanations along with recent research, and is an invaluable guide for product developers, retailers, designers and academic researchers. Provides coverage of all the current developments in digital textile printingCovers important areas such as printer and print head technologies, printer software, digital printing colouration and design and business for digital printing
Author Ujiie, H
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PublicationSeriesTitle Woodhead publishing in textiles
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CRC Press
Elsevier Science & Technology
Woodhead Publishing India PVT. LTD
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Snippet This comprehensive introduction to the textile industry is broken into five sections. After two introductory chapters, it goes on to look in a number of...
At present the textile industry produces the majority of its 34 billion square yards of printed textile fabric by screen printing. However as we move into the...
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SubjectTerms Digital printing
Textile printing
Textiles
Wet Processing & Finishing
TableOfContents Title Page Table of Contents 1. The Evolution and Progression of Digital Printing of Textiles 2. A Designer's Perspective - Digital Versus Traditional 3. Ink Jet Printing Technology (CIJ/DOD) 4. Drop formation and Impaction 5. Industrial Production Printers - DuPont ArtistriTM 2020 Textile Printing System 6. Industrial Production Printers - DReAM 7. Industrial Production Printers - Mimaki's Tx Series 8. Integration of Fabric formation and Coloration Processes 9. Digital Image Design, Data Encoding and formation of Printed Images 10. Digital Colour Management 11. ICC Color Management for Digital Inkjet Textile Printing 12. Substrate Preparation for Ink-Jet Printing 13. Pigmented Ink Formulation 14. Formulation of Aqueous Inkjet Ink 15. Effect of Pretreatment on Print Quality and Its Measurement 16. Ink Jet Printing of Cationized Cotton with Reactive Inks 17. Digital Printing and Mass Customization 18. Just-In-Time Printing 19. Design and Workflow in Digital Inkjet Printing Index
Cover -- Digital printing of textiles -- Copyright -- Contents -- Contributor contact details -- 1 The evolution and progression of digital printing of textiles -- 1.1 Introduction -- 1.2 The origins of digital textile printing technologies -- 1.3 Digital carpet printing -- 1.4 Sublimation -- 1.5 Thermal inkjet and textile printing -- 1.6 Seiren -- 1.7 Digital grand format and textile printing -- 1.8 FESPA 1996 -- 1.9 FESPA and ITMA 1999 -- 1.10 ITMA 1999 -- 1.11 Drupa 2000 -- 1.12 Heimtextil 2001 -- 1.13 DPI 2001 -- 1.14 ITMA 2003 -- 1.15 Drupa 2004 -- 1.16 SGIA 2004 -- 1.17 FESPA 2005 -- 1.18 Other key elements -- 1.19 Conclusion -- 1.20 References -- 2 A designer's perspective-digital versus traditional -- 2.1 Introduction -- 2.2 What difference does digital make? -- 2.3 Howis this done using traditional methods? -- 2.4 Howdo they compare? -- 2.5 How can the designer use these twinned technologies? -- 2.6 Freedom -- 2.7 Thinking about creativity -- 2.8 Resistance -- 2.9 Transparency -- 2.10 The new market -- Part I Printer/print head -- 3 Ink jet printing technology (CIJ/DOD) -- 3.1 Introduction -- 3.2 Ink jet technologies -- 3.3 Aspects to consider and metrics to use in the print head selection process -- 3.4 Companies currently active in print head technology -- 3.5 Future trends -- 3.6 Sources of further information and advice -- 3.7 References -- 4 Drop formation and impaction -- 4.1 Introduction -- 4.2 Drop formation from particle-laden liquids -- 4.3 Drop impaction -- 4.4 Future trends -- 4.5 References -- 5 Industrial production printers-DuPont Artistri™ 2020 textile printing system -- 5.1 Introduction -- 5.2 Industry needs -- 5.3 Markets and applications -- 5.4 Artistri™ 2020 printer -- 5.5 Competitive environment -- 5.6 Artistri™ 2020 textile printing technology -- 5.7 Process color printing versus spot color printing
10.9 References -- 11 ICC Color management for digital inkjet textile printing -- 11.1 Introduction -- 11.2 Overview of textile colors and common color spaces -- 11.3 ICC basics -- 11.4 ICC advantages and disadvantages -- 11.5 Requirements and problems for ICC profiling -- 11.6 Current technologies -- 11.7 Results -- 11.8 Conclusion and future trends -- 11.9 Sources of further information and advice -- 11.10 References -- Part III Digital printing coloration -- 12 Substrate preparation for ink-jet printing -- 12.1 Introduction -- 12.2 Ink systems -- 12.3 Fabric pre-treatments -- 12.4 Pre-treatments for ink-jet printing -- 12.5 Post-treatments -- 12.6 Jet printing machines -- 12.7 Limitations -- 12.8 Future trends -- 12.9 Bibliography -- 12.10 References -- 13 Pigmented ink formulation -- 13.1 Introduction -- 13.2 Overview -- 13.3 Pigmented ink formulation for digital textile printing -- 13.4 Tests and test methods for pigmented textile inks -- 13.5 Optional pre-and post-treatments for pigmented digital textile printing -- 13.6 White ink -- 13.7 Sources of further information and advice -- 14 Formulation of aqueous inkjet ink -- 14.1 Dye-fiber interaction -- 14.2 Organic solvents and surface energy of ink -- 14.3 Time-dependent phenomena and surface-active components -- 14.4 Additives -- 14.5 Reliability -- 14.6 Production process of inkjet-printed textiles -- 14.7 Reactive dye ink -- 14.8 Disperse dye ink -- 14.9 Acid and direct dye ink formulation -- 14.10 References -- 15 Effect of pretreatment on print quality and its measurement -- 15.1 Introduction -- 15.2 Textile pretreatments for inkjet printing -- 15.3 Effect of pretreatments on print quality -- 15.4 Concluding remarks and future trends -- 15.5 References -- 16 Ink jet printing of cationized cotton with reactive inks -- 16.1 Introduction -- 16.2 Experimental -- 16.3 Results and discussion
5.8 Cost of printing -- 5.9 Opportunities and new markets -- 5.10 Artistri™ Technology Center -- 5.11 Applications support, technical service and training -- 5.12 Future trends -- 5.13 Sources of further information and advice -- 5.14 Bibliography -- 6 Industrial production printers-DReAM -- 6.1 The DReAM project in the present textile printing scenery -- 6.2 Goals of the project and description of the DReAM machine (technical and technological parts: Reggiani, Ciba Specialty Chemicals and Scitex Vision) -- 6.3 New opportunities offered by the new Reggiani digital printing machine: Digital Technological Center (DTC) -- 6.4 Bibliography -- 7 Industrial production printers-Mimaki's Tx series -- 7.1 Evolution of digital printing -- 7.2 Marketing profile of Mimaki's Tx series -- 7.3 Market needs for digital textile printing -- 7.4 Technical issues and solutions -- 7.5 The future of digital printing -- 8 Integration of fabric formation and coloration processes -- 8.1 Introduction -- 8.2 Experimental -- 8.3 Results and discussion -- 8.4 Conclusions -- 8.5 References -- Part II Printer software -- 9 Digital image design, data encoding and formation of printed images -- 9.1 Introduction -- 9.2 Computer aided design, editing and data storage systems -- 9.3 Pixel and image formation by ink jet printers -- 9.4 Control of the printing machine -- 9.5 Machine performance monitoring -- 9.6 Future trends -- 9.7 Sources of further information and advice -- 9.8 References -- 10 Digital colour management -- 10.1 Introduction -- 10.2 General numerical colour specifications -- 10.3 Characterising display, input and output devices -- 10.4 Colour gamut and rendering intent -- 10.5 Colour communication -- 10.6 Colour reproduction performance of equipment operated with a CMM -- 10.7 Future trends in colour management -- 10.8 Sources of further information and advice
16.4 Conclusions -- 16.5 References -- Part IV Design and business -- 17 Digital printing and mass customization -- 17.1 Introduction -- 17.2 From craft to mass production to mass customization -- 17.3 Limitations of mass customization -- 17.4 Time, technology, and connectivity -- 17.5 Product life cycles -- 17.6 Forecasting the opportunities -- 17.7 Traditional supply chains -- 17.8 Direct digital printing supply chains -- 17.9 Future trends in the digital supply chain -- 17.10 References and bibliography -- 18 Just-in-time printing -- 18.1 Introduction -- 18.2 Enabling the process -- 18.3 Just-in-time order processing -- 18.4 Case studies -- 18.5 Conclusion -- 18.6 References -- 19 Design and workflow in digital inkjet printing -- 19.1 Introduction -- 19.2 Evolution of textile printing workflow -- 19.3 Newdesign styles -- 19.4 New definitions for the textile printing industry -- 19.5 Future trends -- 19.6 References -- Index
11.4 ICC advantages and disadvantages -- 11.5 Requirements and problems for ICC profiling -- 11.6 Current technologies -- 11.7 Results -- 11.8 Conclusion and future trends -- 11.9 Sources of further information and advice -- 11.10 References -- 12 Substrate preparation for ink-jet printing -- 12.1 Introduction -- 12.2 Ink systems -- 12.3 Fabric pre-treatments -- 12.4 Pre-treatments for ink-jet printing -- 12.5 Post-treatments -- 12.6 Jet printing machines -- 12.7 Limitations -- 12.8 Future trends -- 12.9 Bibliography -- 12.10 References -- 13 Pigmented ink formulation -- 13.1 Introduction -- 13.2 Overview -- 13.3 Pigmented ink formulation for digital textile printing -- 13.4 Tests and test methods for pigmented textile inks -- 13.5 Optional pre- and post-treatments for pigmented digital textile printing -- 13.6 White ink -- 13.7 Sources of further information and advice -- 14 Formulation of aqueous inkjet ink -- 14.1 Dye-fiber interaction -- 14.2 Organic solvents and surface energy of ink -- 14.3 Time-dependent phenomena and surface-active components -- 14.4 Additives -- 14.5 Reliability -- 14.6 Production process of inkjet-printed textiles -- 14.7 Reactive dye ink -- 14.8 Disperse dye ink -- 14.9 Acid and direct dye ink formulation -- 14.10 References -- 15 Effect of pretreatment on print quality and its measurement -- 15.1 Introduction -- 15.2 Textile pretreatments for inkjet printing -- 15.3 Effect of pretreatments on print quality -- 15.4 Concluding remarks and future trends -- 15.5 References -- 16 Ink jet printing of cationized cotton with reactive inks -- 16.1 Introduction -- 16.2 Experimental -- 16.3 Results and discussion -- 16.4 Conclusions -- 16.5 References -- 17 Digital printing and mass customization -- 17.1 Introduction -- 17.2 From craft to mas production to mass customization -- 17.3 Limitations of mass customization
5.10 Artistri Technology Center -- 5.11 Applications support, technical service and training -- 5.12 Future trends -- 5.13 Sources of further information and advice -- 5.14 Bibliography -- 6 Industrial production printers - DReAM -- 6.1 The DReAM project in the present textile printing scenery -- 6.2 Goals of the project and description of the DReAM machine -- 6.3 New opportunities offered by the new Reggiani digital printing machine -- 6.4 Bibliography -- 7 Industrial production printers - Mimaki's Tx series -- 7.1 Evolution of digital printing -- 7.2 Marketing profile of Mimaki's Tx series -- 7.3 Market needs for digital textile printing -- 7.4 Technical issues and solutions -- 7.5 The future of digital printing -- 8 Integration of fabric formation and coloration processes -- 8.1 Introduction -- 8.2 Experimental -- 8.3 Results and discussion -- 8.4 Conclusions -- 8.5 References -- 9 Digital image design, data encoding and formation of printed images -- 9.1 Introduction -- 9.2 Computer aided design, editing and data storage systems -- 9.3 Pixel and image formation by ink jet printers -- 9.4 Control of the printing machine -- 9.5 Machine performance monitoring -- 9.6 Future trends -- 9.7 Sources of further information and advice -- 9.8 References -- 10 Digital colour management -- 10.1 Introduction -- 10.2 General numerical colour specifications -- 10.3 Characterising display, input and output devices -- 10.4 Colour gamut and rendering intent -- 10.5 Colour communication -- 10.6 Colour reproduction performance of equipment operated with a CMM -- 10.7 Future trends in colour management -- 10.8 Sources of further information and advice -- 10.9 References -- 11 ICC Color management for digital inkjet textile printing -- 11.1 Introduction -- 11.2 Overview of textile colors and common color spaces -- 11.3 ICC basics
17.4 Time, technology, and connectivity -- 17.5 Product life cycles -- 17.6 Forecasting the opportunities -- 17.7 Traditional supply chains -- 17.8 Direct digital printing supply chains -- 17.9 Future trends in the digital supply chain -- 17.10 References and bibliography -- 18 Just-in-time printing -- 18.1 Introduction -- 18.2 Enabling the process -- 18.3 Just-in-time order processing -- 18.4 Case studies -- 18.5 Conclusion -- 18.6 References -- 19 Design and workflow in digital inkjet printing -- 19.1 Introduction -- 19.2 Evolution of textile printing workflow -- 19.3 New design styles -- 19.4 New definitions for the textile printing industry -- 19.5 Future trends -- 19.6 References -- Index
Intro -- Contents -- Contributor contact details -- 1 The evolution and progression of digital printing of textiles -- 1.1 Introduction -- 1.2 The origin of digital textile printing technologies -- 1.3 Digital carpet printing -- 1.4 Sublimation -- 1.5 Thermal inkjet and textile printing -- 1.6 Seiren -- 1.7 Digital grand format and textile printing -- 1.8 FESPA 1996 -- 1.19 FESPA and ITMA 1999 -- 1.10 ITMA 1999 -- 1.11 Drupa 2000 -- 1.12 Heimtextil 2001 -- 1.13 DPA 2001 -- 1.14 ITMA 2003 -- 1.15 Drupa 2004 -- 1.16 SGIA 2004 -- 1.17 FESPA 2005 -- 1.18 Other key elements -- 1.19 Conclusion -- 1.20 References -- 2 A designer's perspective - digital versus traditional -- 2.1 Introduction -- 2.2 What difference does digital make? -- 2.3 How is this done using traditional methods? -- 2.4 How do they compare? -- 2.5 How can the designer use these twinned technologies? -- 2.6 Freedom -- 2.7 Thinking about creativity -- 2.8 Resistance -- 2.9 Transparency -- 2.10 The nerw market -- 3 Ink jet printing technology (CIJ/DOD) -- 3.1 Introduction -- 3.2 Ink jet technologies -- 3.3 Aspects to consider and metrics to use in the print head selection process -- 3.4 Companies currently active in print head technology -- 3.5 Future trends -- 3.6 Sources of further information and advice -- 3.7 References -- 4 Drop formation and impaction -- 4.1 Introduction -- 4.2 Drop formation from particle-laden liquids -- 4.3 Drop impaction -- 4.4 Future trends -- 4.5 References -- 5 Industrial production printers - DuPont Artistri 2020 textile printing system -- 5.1 Introduction -- 5.2 Industry needs -- 5.3 Markets and applications -- 5.4 Artistri 2020 printer -- 5.5 Competitive environment -- 5.6 Artistri 2020 textile printing technology -- 5.7 Process color printing versus spot color printing -- 5.8 Cost of printing -- 5.9 Opportunities and new markets
Title Digital Printing of Textiles
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