The Future Is Unwritten Position und Politik Kunstkritischer Praxis
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| Main Authors | , |
|---|---|
| Format | eBook |
| Language | German |
| Published |
Zürich-Berlin
diaphanes
2018
|
| Edition | 1 |
| Subjects | |
| Online Access | Get full text |
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| Author | Kleesattel, Ines Müller, Pablo |
|---|---|
| Author_xml | – sequence: 1 fullname: Müller, Pablo – sequence: 2 fullname: Kleesattel, Ines |
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| Discipline | Visual Arts Philosophy |
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| PageCount | 312 |
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| PublicationCentury | 2000 |
| PublicationDate | 2018 |
| PublicationDateYYYYMMDD | 2018-01-01 |
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| PublicationPlace | Zürich-Berlin |
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| PublicationYear | 2018 |
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| SubjectTerms | Engagement (Philosophy) |
| Subtitle | Position und Politik Kunstkritischer Praxis |
| TableOfContents | The Future Is Unwritten -- 11 - The Future Is Unwritten -- 19 - Lückenloses Engagement? -- 37 - Rollenspiele oder das delegierte Urteil -- 51 - Warum Kunstkritik? -- 61 - Strategischer Multi-Optionalismus -- 83 - Der andere Kanon. Heute startet unsere neue Kunstserie im Feuilleton (mit Beiträgen von Daniel Birnbaum, Christiane Lange, Peter Geimer) -- 93 - Feldeffekte im Fokus -- 115 - Warum die Kunstkritik in Zukunft noch wichtiger wird -- 135 - Autoritratto / Selbstbildnis. Zur Situation der italienischen Kunst um 1967 -- 141 - (Post-)Normatives Schweigen -- 157 - »We need to talk« -- 175 - Situierte Kunstkritik -- 193 - Über ExpertInnen, Kollaborationen und kunstbezogene Multiperspektivität -- 209 - im Gespräch mit TeilnehmerInnen des ›Bijlmer Spinoza Festival‹ -- 215 - Kritisieren, kommentieren, kollaborieren -- 233 - Versammeln und auseinandersetzen -- 245 - Gesellschaftlich engagierte Kunstkritik -- 263 - Transpoly in Kunstkritik/-vermittlung -- 289 - Wer spricht? -- 300 - Autorinnen und Autoren |
| Title | The Future Is Unwritten |
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