2014
The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has...
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Main Author | |
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Format | eBook |
Language | English |
Published |
Berlin/Boston
De Gruyter, Inc
2014
De Gruyter |
Edition | 1 |
Subjects | |
Online Access | Get full text |
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Table of Contents:
- The Reception of Italian Futurism in Hungarian Painting and Literature -- The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after -- Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism -- Futurist Influences in the Work of Guillermo de Torre -- The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933) -- Theodor Däubler: A Mediator between Florentine Futurism and German Modernism -- Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn -- Section 5: Bibliography -- A Bibliography of Publications on Futurism, 2011-2013 -- Section 6: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index
- Intro -- Editorial -- Section 1: Critical responses to Exhibitions, conferences and publications -- The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013 -- The Centenary of 1913, or Russian Futurism 'as such': A Conference at the University of Geneva on 10-13 April 2013 -- Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013 -- La poética de la vanguardia -- Sound and Silence in Futurist Poetry -- Marinetti i futuryzm w Polsce -- Action / Reaction: Futurism in Belgium and Europe -- Futurism and Modernist Magazines -- New Research into Anarchism and Futurism -- Section 2: Research Reports on Countries and Artistic Disciplines -- French Research on Literary Futurism -- Section 3: Caricatures and Satires of Futurism in the Contemporary Press -- A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) -- A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) -- The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror" -- A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun -- The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' Debate -- A Caricature of Futurism in the New York Sun (1914) -- Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh -- Section 4: Futurism Studies -- The Reception of Futurism in France (1909-1912) -- Mallarmé and His Futurist 'Heir' Marinetti -- Futurism in the Netherlands, 1909-1940 -- No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia -- The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia -- Kara-Darvish and Armenian Futurism