Pictures of Poverty The Works of George R. Sims and Their Screen Adaptations
From Charles Dickens's Oliver Twist to George Sims's How the Poor Live , illustrated accounts of poverty were en vogue in Victorian Britain. Poverty was also a popular subject on the screen, whether in dramatic retellings of well-known stories or in 'documentary' photographs take...
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Main Author | |
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Format | eBook |
Language | English |
Published |
Bloomington
John Libbey Publishing
2021
Indiana University Press |
Edition | 1 |
Subjects | |
Online Access | Get full text |
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Summary: | From Charles Dickens's Oliver Twist to George Sims's
How the Poor Live , illustrated accounts of poverty were en
vogue in Victorian Britain. Poverty was also a popular subject on
the screen, whether in dramatic retellings of well-known stories or
in 'documentary' photographs taken in the slums. London and its
street life were the preferred setting for George Robert Sims's
rousing ballads and the numerous magic lantern slide series and
silent films based on them. Sims was a popular journalist and
dramatist, whose articles, short stories, theatre plays and ballads
discussed overcrowding, drunkenness, prostitution and child poverty
in dramatic and heroic episodes from the lives and deaths of the
poor. Richly illustrated and drawing from many previously unknown
sources, Pictures of Poverty is a comprehensive account of
the representation of poverty throughout the Victorian period,
whether disseminated in newspapers, illustrated books and lectures,
presented on the theatre stage or projected on the screen in magic
lantern and film performances. Detailed case studies reveal the
intermedial context of these popular pictures of poverty and their
mobility across genres. With versatile author George R. Sims as the
starting point, this study explores the influence of visual media
in historical discourses about poverty and the highly controversial
role of the Victorian state in poor relief. |
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ISBN: | 9780861967520 0861967526 9780861969869 0861969855 9780861969852 0861969863 |
DOI: | 10.2307/j.ctv22wtqn5 |