Living Matter: The Preservation of Biological Materials in Contemporary Art An International Conference Held in Mexico City, June 3–5, 2019
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms-these a...
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Format | eBook Book |
Language | English |
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Los Angeles
J. Paul Getty Trust, The
24.05.2022
Getty Conservation Institute Getty Publications |
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Abstract | This innovative volume is the first to address the
conservation of contemporary art incorporating biological materials
such as plants, foods, bodily fluids, or genetically engineered
organisms. Eggshells, flowers, onion peels, sponge cake,
dried bread, breast milk, bacteria, living organisms-these are just
a few of the biological materials that contemporary artists are
using to make art. But how can works made from such perishable
ingredients be preserved? And what logistical, ethical, and
conceptual dilemmas might be posed by doing so? Because they are
prone to rapid decay, even complete disappearance, biological
materials used in art pose a range of unique conservation
challenges. This groundbreaking book probes the issues associated
with displaying, collecting, and preserving these unique works of
art. The twenty-four papers from the conference present a range of
case studies, prominently featuring artists' perspectives, as well
as conceptual discussions, thereby affording a comprehensive and
richly detailed overview of current thinking and practices on this
topic. Living Matter is the first publication to explore
broadly the role of biological materials in the creative process
and present a variety of possible approaches to their preservation.
The free online edition of this open-access publication is
available at www.getty.edu/publications/living-matter/ and includes
videos and zoomable illustrations. Also available are free PDF,
EPUB, and Kindle/MOBI downloads of the book. |
---|---|
AbstractList | This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book. This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms-these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists' perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book. |
Author | Living Matter (Conference) (2019 : Mexico City, Mexico) Rivenc, Rachel Roth, Kendra Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete" (Mexico) Getty Conservation Institute |
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Notes | Includes bibliographical references Content Type: text (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier) Summary: "This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"-- Provided by publisher Proceedings of the symposium "Living Matter: The Preservation of Biological Materials Used in Contemporary Art / La Materia Viva: Conservación de materiales orgánicos en el arte contemporáneo" which took place June 3-5, 2019, in Mexico City and was co-organized by the Getty Conservation Institute (GCI), the Museo Universitario Arte Contemporáneo (MUAC) of the Universidad Nacional Autónoma de México (UNAM), and the Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete" (ENCRyM) of the Instituto Nacional de Antropología e Historia (INAH) |
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Publisher | J. Paul Getty Trust, The Getty Conservation Institute Getty Publications |
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Snippet | This innovative volume is the first to address the
conservation of contemporary art incorporating biological materials
such as plants, foods, bodily fluids, or... This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or... |
SourceID | oapen nii jstor |
SourceType | Publisher |
SubjectTerms | 20th century 21st century Art & Art History Art, Modern Art, Modern -- 20th century -- Conservation and restoration -- Congresses Art, Modern -- 21st century -- Conservation and restoration -- Congresses Artists' Materials Artists' materials -- Deterioration -- Congresses Congresses Conservation and Restoration Deterioration History of art Museum conservation Methods Museum conservation methods -- Congresses The Arts The Arts: treatments and subjects |
Subtitle | An International Conference Held in Mexico City, June 3–5, 2019 |
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TableOfContents | Front Matter
Table of Contents
Foreword
Preface
Keynote:
1: Biological Material Indeterminacy Rebukes the Social and the Artistic:
2: Can We Use the Concept of Programmed Obsolescence to Identify and Resolve Conservation Issues on Eat Art Installations?
3: The Artist’s Body in the Age of Genomic Reproduction
4: The Eternal Metabolic Network:
5: Plump and Pliant:
6: Some Survive, Few Are Conserved, Even Fewer Can Travel:
7: Preserving Mortality through a Sacrifice for Your Country:
8: Cross-Disciplinary Collaboration and Innovation in the Exhibition of Living Matter at the National Gallery of Zimbabwe:
9: The Life-Death Movement of Fruits, Tubers, and Vegetables in Nydia Negromonte’s POSTA
10: Conservation/Restoration of Biological Material in Contemporary Art:
11: Killing with Kindness?
12: Flora and Fauna as Art:
13: Conserving Active Matter in Contemporary Design
14: Research, Conservation, and Exhibition of a Contemporary Art Installation Containing Living Organisms as Part of the Creative Process
15: When Installation Art Depends on Live Surroundings to Survive
16: Building Communities and Conserving Living Matter in the Collection of the Museo Universitario Arte Contemporáneo, MUAC-UNAM, Mexico City
17: Stabbing Our Own House:
18: Pieces of the People We Love:
19: Nature and Its Energy:
20: Conservation as an Enhancing Factor in the Interpretation of Living Materials Artworks
21: A Crumb(ling) Display:
22: Living Matter:
23: Murmelte Instrumente:
24: Dissolving Matter:
Bibliography
Contributors
Symposium Participants |
Title | Living Matter: The Preservation of Biological Materials in Contemporary Art |
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