Living Matter: The Preservation of Biological Materials in Contemporary Art An International Conference Held in Mexico City, June 3–5, 2019

This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms-these a...

Full description

Saved in:
Bibliographic Details
Main Authors Living Matter (Conference) (2019 : Mexico City, Mexico), Rivenc, Rachel, Roth, Kendra, Getty Conservation Institute, Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete" (Mexico)
Format eBook Book
LanguageEnglish
Published Los Angeles J. Paul Getty Trust, The 24.05.2022
Getty Conservation Institute
Getty Publications
Subjects
Online AccessGet full text

Cover

Loading…
Abstract This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms-these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists' perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
AbstractList This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms. Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms-these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so? Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists' perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation. The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Author Living Matter (Conference) (2019 : Mexico City, Mexico)
Rivenc, Rachel
Roth, Kendra
Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo
Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete" (Mexico)
Getty Conservation Institute
Author_xml – sequence: 1
  fullname: Living Matter (Conference) (2019 : Mexico City, Mexico)
– sequence: 2
  fullname: Rivenc, Rachel
– sequence: 3
  fullname: Roth, Kendra
– sequence: 4
  fullname: Getty Conservation Institute
– sequence: 5
  fullname: Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo
– sequence: 6
  fullname: Escuela Nacional de Conservación, Restauración y Museografía "Prof. Manuel del Castillo Negrete" (Mexico)
BackLink https://cir.nii.ac.jp/crid/1130012070535888919$$DView record in CiNii
BookMark eNo1kM1LAzEQxSNa0NZevHrJQY-tk6_dxJsWv7Cih-I1JNlszVqTkl0K_vdu2crADMP78YZ5Y3QSU_QIXRCYUwblTdPMBS05KH6ExqSAvhSh8vh_KWQJIzSmQAmIgoniFE3btgEAWoLkSp2h12XYhbjGb6brfL7Fqy-PP7Jvfd6ZLqSIU43vQ9qkdXBms8d8DmbT4hDxIsXO_2xTNvkX3-XuHI3qXvLTw5ygz8eH1eJ5tnx_elncLWeGSMLZzAlGjRGyKnkBwhRVba0iilhJrfGOO6hkZRwxjlle0f4j56BwtBS27hHCJuhyME5m66OukrEpfbdaAae8V68GNYagXdh3QhgAoVCCYEJK2V_rsesBa9ouZT04END7ZHXT6EOy7A8qUmZy
ContentType eBook
Book
Copyright 2022 J. Paul Getty Trust
Copyright_xml – notice: 2022 J. Paul Getty Trust
DBID BAHZO
RYH
V1H
DOI 10.2307/jj.5274094
DatabaseName JSTOR eBooks: Open Access
CiNii Complete
DOAB: Directory of Open Access Books
DatabaseTitleList

Database_xml – sequence: 1
  dbid: V1H
  name: DOAB: Directory of Open Access Books
  url: https://directory.doabooks.org/
  sourceTypes: Publisher
– sequence: 2
  dbid: BAHZO
  name: JSTOR eBooks: Open Access
  url: https://www.jstor.org
  sourceTypes: Publisher
DeliveryMethod fulltext_linktorsrc
Discipline Visual Arts
EISBN 1606069128
9781606069127
Editor Rachel Rivenc
Kendra Roth
Editor_xml – sequence: 1
  fullname: Rachel Rivenc
– sequence: 2
  fullname: Kendra Roth
ExternalDocumentID 90424
BC12355500
jj.5274094
GroupedDBID AAYCG
ACKJY
ADOOI
AGHZW
AIIFP
ALMA_UNASSIGNED_HOLDINGS
AOLFF
BAHZO
FILVX
JLPMJ
~I6
RYH
V1H
ID FETCH-LOGICAL-a18143-c532aa58d74605a6dfbb9191b82baec4c0d8dac1ac3b4d2128cc06c275bf82b13
IEDL.DBID BAHZO
ISBN 1606066870
9781606066874
1606067672
9781606067673
IngestDate Tue Jul 08 19:53:35 EDT 2025
Thu Jun 26 22:44:05 EDT 2025
Sun Jun 29 11:42:07 EDT 2025
IsDoiOpenAccess true
IsOpenAccess true
IsPeerReviewed false
IsScholarly false
LCCN 2021056356
LCCallNum N8554.5 .L58 2019
Language English
LinkModel DirectLink
MergedId FETCHMERGED-LOGICAL-a18143-c532aa58d74605a6dfbb9191b82baec4c0d8dac1ac3b4d2128cc06c275bf82b13
Notes Includes bibliographical references
Content Type: text (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)
Summary: "This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"-- Provided by publisher
Proceedings of the symposium "Living Matter: The Preservation of Biological Materials Used in Contemporary Art / La Materia Viva: Conservación de materiales orgánicos en el arte contemporáneo" which took place June 3-5, 2019, in Mexico City and was co-organized by the Getty Conservation Institute (GCI), the Museo Universitario Arte Contemporáneo (MUAC) of the Universidad Nacional Autónoma de México (UNAM), and the Escuela Nacional de Conservación, Restauración y Museografía "Manuel del Castillo Negrete" (ENCRyM) of the Instituto Nacional de Antropología e Historia (INAH)
OpenAccessLink https://www.jstor.org/stable/jj.5274094
PageCount 260
ParticipantIDs oapen_doabooks_90424
nii_cinii_1130012070535888919
jstor_books_10_2307_jj_5274094
PublicationCentury 2000
PublicationDate 20220524
2022,©2022
2022
PublicationDateYYYYMMDD 2022-05-24
2022-01-01
PublicationDate_xml – month: 05
  year: 2022
  text: 20220524
  day: 24
PublicationDecade 2020
PublicationPlace Los Angeles
PublicationPlace_xml – name: Los Angeles
PublicationYear 2022
Publisher J. Paul Getty Trust, The
Getty Conservation Institute
Getty Publications
Publisher_xml – name: J. Paul Getty Trust, The
– name: Getty Conservation Institute
– name: Getty Publications
SSID ssj0002708499
Score 2.290288
Snippet This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or...
This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or...
SourceID oapen
nii
jstor
SourceType Publisher
SubjectTerms 20th century
21st century
Art & Art History
Art, Modern
Art, Modern -- 20th century -- Conservation and restoration -- Congresses
Art, Modern -- 21st century -- Conservation and restoration -- Congresses
Artists' Materials
Artists' materials -- Deterioration -- Congresses
Congresses
Conservation and Restoration
Deterioration
History of art
Museum conservation Methods
Museum conservation methods -- Congresses
The Arts
The Arts: treatments and subjects
Subtitle An International Conference Held in Mexico City, June 3–5, 2019
SummonAdditionalLinks – databaseName: DOAB: Directory of Open Access Books
  dbid: V1H
  link: http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwbV3NS8MwFA9zu-hJneLUjRy8dmuSpk29iTiGOk86div5KnRIJ_v4_30vXWUHL4WUUMLvlbzv3yPkgYFnUqYqjZjDNKPQWaRNzqLMlWCcx0LkgdRn_pHOvpLXpVx2iGp7YZqLfI1VzWuNduY2pPMbygHw1McyRkYEJZNJjlm7E9IDGzvHYq4Fm_1FV3gWK7DlsZMLLPQYWcn4geCpXYuGrBQLoSer1ViCexbj6OKmLBFUTV1VOAVJ__j6SOVMz0nPYx_CBen4-pKcLartXn_Tp81u2ydv7xXGAeg8kGM-UpA1xVqKNsBK1yVthkyiCHBb85_RqqbHdFT4uSuymL58Ps-iw1SESIM2TkRkpeBaS-UyzGnq1JUG0M2ZUdxobxMbO-W0ZdoKkzhQTcraOLU8k6aELUxck269rv0NoWArZNplIjcuToxRWtnce66YV4ZbYwZkFNAogiQKcBgQrmK1Kg5wDcgQYCpshU-GqTHG4RKRQoJnDYcakH4AsGilWQSp3f7_-o6ccuwuCBGOe9LdbfZ-CDp_Z0ZBvL-crqBG
  priority: 102
  providerName: Open Access Publishing in European Networks
TableOfContents Front Matter Table of Contents Foreword Preface Keynote: 1: Biological Material Indeterminacy Rebukes the Social and the Artistic: 2: Can We Use the Concept of Programmed Obsolescence to Identify and Resolve Conservation Issues on Eat Art Installations? 3: The Artist’s Body in the Age of Genomic Reproduction 4: The Eternal Metabolic Network: 5: Plump and Pliant: 6: Some Survive, Few Are Conserved, Even Fewer Can Travel: 7: Preserving Mortality through a Sacrifice for Your Country: 8: Cross-Disciplinary Collaboration and Innovation in the Exhibition of Living Matter at the National Gallery of Zimbabwe: 9: The Life-Death Movement of Fruits, Tubers, and Vegetables in Nydia Negromonte’s POSTA 10: Conservation/Restoration of Biological Material in Contemporary Art: 11: Killing with Kindness? 12: Flora and Fauna as Art: 13: Conserving Active Matter in Contemporary Design 14: Research, Conservation, and Exhibition of a Contemporary Art Installation Containing Living Organisms as Part of the Creative Process 15: When Installation Art Depends on Live Surroundings to Survive 16: Building Communities and Conserving Living Matter in the Collection of the Museo Universitario Arte Contemporáneo, MUAC-UNAM, Mexico City 17: Stabbing Our Own House: 18: Pieces of the People We Love: 19: Nature and Its Energy: 20: Conservation as an Enhancing Factor in the Interpretation of Living Materials Artworks 21: A Crumb(ling) Display: 22: Living Matter: 23: Murmelte Instrumente: 24: Dissolving Matter: Bibliography Contributors Symposium Participants
Title Living Matter: The Preservation of Biological Materials in Contemporary Art
URI https://www.jstor.org/stable/jj.5274094
https://cir.nii.ac.jp/crid/1130012070535888919
https://directory.doabooks.org/handle/20.500.12854/90424
hasFullText 1
inHoldings 1
isFullTextHit
isPrint
link http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwhV1LS8NAEB5se9GTWsWqLXvwGs3u5rHxVsVS1OpFS_ES9hVIkVT6-P_OpKn05iUQWIbw7ZJvZr95ANxwjEyKRCUBdyQzSp0G2mQ8SF2BznkoZVY39Zm8JePP6HkWz5omSasmrbLOC6xVfHSQzLe_m89vY4yeMBJpQYc0zKgNnYfh-Ov97zpFpKFC551Kt9AlRx7Fc9h0dNq9R9vupJT5vGdxl4eI3FKVJY090j--2uOY0TF0PBUenMCBr07haFquNvqbDZfrVRdeXksK_Nmk7oZ5z3BzGSVP7G5U2aJg26mShDkt2x4sVlZsv_8UmTuD6ejp43EcNGMQAo30G8nAxlJoHSuXkoipE1cYhDPjRgmjvY1s6JTTlmsrTeSQi5S1YWJFGpsCl3B5Du1qUfkLYOgcpNqlMjMujIxRWtnMe6G4V0ZYY3owqNHIycVf5RghEFz5fJ43cPWgjzDltqQnJy2MC_xrxDLGUBo_qgfdGsDcLfTWRkbi6uV_dq_gUFBhQRgHIrqG9nq58X2k-7UZNFs9gNaUj38BRgOgVQ
linkProvider JSTOR
openUrl ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.title=Living+matter+%3A+the+preservation+of+biological+materials+in+contemporary+art+%3A+an+international+conference+held+in+Mexico+City%2C+June+3-5%2C+2019&rft.au=Living+Matter+%28Conference%29+%282019+%3A+Mexico+City%2C+Mexico%29&rft.au=Rivenc%2C+Rachel&rft.au=Roth%2C+Kendra&rft.au=Getty+Conservation+Institute&rft.date=2022-01-01&rft.pub=Getty+Conservation+Institute&rft.isbn=9781606066874&rft_id=info:doi/10.2307%2Fjj.5274094&rft.externalDocID=BC12355500
thumbnail_l http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=9781606066874/lc.gif&client=summon&freeimage=true
thumbnail_m http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=9781606066874/mc.gif&client=summon&freeimage=true
thumbnail_s http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=9781606066874/sc.gif&client=summon&freeimage=true