Madame Zborowska and Portrait of a Student: A Case Study of Two Paintings Not Included in Ambrogio Ceroni's Modigliani Publication of 1970
Fraquelli, Simonetta, Greene, Vivien, King, Annette, Stringari, Lena, Townsend, Joyce H
Published in Tate Papers (01.01.2022)
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Published in Tate Papers (01.01.2022)
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Modigliani's Portraits of Jeanne Hébuterne 1918-19: A Selected Technical and Material Study
Bezur, Anikó, Centeno, Silvia A, Duvernois, Isabelle, Genty-Vincent, Anaïs, Gillman, Miriam, Josenhans, Frauke V, Londero, Pablo, Schwarz, Cynthia, Stringari, Lena
Published in Tate Papers (01.01.2022)
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Published in Tate Papers (01.01.2022)
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Works by Modigliani that have Paintings beneath the Visible Surface
Genty-Vincent, Anaïs, Fraquelli, Simonetta, King, Annette, Langley, Allison, Mass, Jennifer, Muir, Kim, Porell, Mina, Senot, Marie-Amélie, Shutova, Anya, Townsend, Joyce H
Published in Tate Papers (01.01.2022)
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Published in Tate Papers (01.01.2022)
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Richard Bell's Embassy. Reshaping the Contemporary Art Museum
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Elvira, Dressed and Undressed: A Comparative Study of Two Portraits by Amedeo Modigliani
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Modigliani's Painted Nudes: A Technical Study
Buckley, Barbara, Burnstock, Aviva, Centeno, Silvia A, Duffy, Michael, Duvernois, Isabelle, Genty-Vincent, Anaïs, Mass, Jennifer, Senot, Marie-Amélie, Stringari, Lena
Published in Tate Papers (01.01.2022)
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Published in Tate Papers (01.01.2022)
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Politically Engaged Artistic Practice: Strategies and Tactics
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The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones
Scott, Rachel, Mann, Fiona, Hinzman, Katherine, Townsend, Joyce H, Johnson, Alastair
Published in Tate Papers (01.01.2021)
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Published in Tate Papers (01.01.2021)
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Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange
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The Biennial Under Contestation: Local Perspectives on the Tenth São Paulo Biennial (1969)
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Artist Versus Teacher: The Problem of David Bomberg's Pedagogical Legacy
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'Fire and Water': Turner and Constable in the Royal Academy, 1831
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Insights into Eva Hesse's Working Practice: A Technical Study of Addendum 1967
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The Framing of John Constable's Salisbury Cathedral from the Meadows
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