BRIEFS / FEUILLETONS
Krämer, Kristina, Cassaro, James P, Merakos, Stephanie
Published in Fontes artis musicae (01.04.2022)
Published in Fontes artis musicae (01.04.2022)
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THE MUSIC COLLECTION OF ANTONÍN BOROVÝ (1755–1832), A CANTOR FROM ZLATÁ KORUNA
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‘PURE OR TAINTED?’ REPRESENTING A SOURCE OF COLONIAL BENGALI-ENGLISH MUSIC IN RISM
Morgan, Emerson, Linklater, Christina, Tagore, Pramantha
Published in Fontes Artis Musicae (01.07.2022)
Published in Fontes Artis Musicae (01.07.2022)
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FIFTY YEARS WITH THE FONDO CAPPELLA SISTINA OF THE BIBLIOTECA APOSTOLICA VATICANA
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A PUBLIC MUSIC LIBRARY IN THE HEART OF EUROPE: FORTY YEARS OF CSORBA GYŐZŐ LIBRARY’S MUSIC DEPARTMENT (PÉCS, HUNGARY)
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SPAIN: THE MUSIC COLLECTION (ANCIENT HOLDINGS) OF THE UNIVERSITY OF BARCELONA LIBRARY
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GREECE: THE GREEK RISM OFFICE: DESCRIBING BYZANTINE MUSIC-RELATED RESOURCES AND OTHER PROJECTS
Aslanidi, Maria, Bazmadelis, Aris, Ioannidou, Arsinoi
Published in Fontes Artis Musicae (01.07.2021)
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Published in Fontes Artis Musicae (01.07.2021)
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VIABLE TEXTS OR RELIABLE TEXTS? THE EARLIEST EDITIONS OF PLEYEL’S STRING QUINTETS
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ETHNIC PIANO ROLLS IN THE UNITED STATES: BETWEEN FOLK, FOREIGN AND NATIONAL MUSIC
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TO BETTER PERFORM MY DUTIES AS A DAME PATRONESSE: PAULINE VIARDOT-GARCÍA’S PHILANTHROPIC WORK
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COVID-19 AND FIELD RECORDINGS FOR THE LIBRARY OF FOLK MUSIC OF NIGERIA PROJECT: DISRUPTIONS AND CHALLENGES OF ACCESS IN PANDEMIC TIME
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FRANCISCO ANDREVÍ CASTELLÁ (1786–1853): A PREVIEW OF A FORTHCOMING CATALOGUE OF WORKS
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BRITISH SYMPHONIC CRITICISM: A TALE OF TWO SYMPOSIA
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A FIRST INVENTORY OF PLAINCHANT BOOKS UP TO 1900 IN SANTIAGO, CHILE
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THE MUSIC ARCHIVE OF MACAU’S SEMINARY OF ST. JOSEPH: CHINESE TRANSMISSION AND REFORMULATION OF WESTERN MUSIC-THEORETICAL KNOWLEDGE
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