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IATC
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Contemporary Chinese Dance: The Interweaving of Tradition and Modernity
by
Min Zhu
Published in
Critical stages (Paris)
(01.12.2018)
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Derek Jacobi and Mark Rylance: Reasonable Doubt about the Identity of William Shakespeare
by
Derek Jacobi
,
Mark Rylance
Published in
Critical stages (Paris)
(01.12.2018)
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83
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Discovering Minsk through Belarusian Theatre
by
Maria Zărnescu
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Critical stages (Paris)
(01.12.2018)
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Chinese Shadows on Swedish Stages
by
Margareta Sörenson
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Critical stages (Paris)
(01.12.2018)
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Un spectacle d’une malsaine ambiguïté
by
Jean-Pierre Han
Published in
Critical stages (Paris)
(01.12.2018)
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(Re)Viewing Bulgarian Theatre of Today
by
Kamelia Nikolova
Published in
Critical stages (Paris)
(01.12.2018)
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Tribute to Professor Hans-Thies Lehmann on the Occasion of His Investiture as the 2018 IATC Thalia Laureate
by
Emmanuel S. Dandaura
Published in
Critical stages (Paris)
(01.12.2018)
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Mr. Muhsin’s Memory of Hamlet Rewrites the History of Turkey’s Theatre
by
Eylem Ejder
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Critical stages (Paris)
(01.12.2018)
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Theatre, Cancer and Catharsis: The Hospital as an Agora
by
Alberto Pagliarino
Published in
Critical stages (Paris)
(01.06.2018)
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The Polish Theatre Looks at the Hands of the Authorities
by
Tomasz Miłkowski
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Critical stages (Paris)
(01.06.2018)
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Innovation and Prudent Risks are at the Very Heart of the Festivals: Interview with Haris Pašović
by
Savas Patsalidis
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Critical stages (Paris)
(01.06.2018)
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Cancer, Narrative and the End of Telling
by
Mechele Leon
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Critical stages (Paris)
(01.06.2018)
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Climbing Mount Fabre
by
Margareta Sörenson
Published in
Critical stages (Paris)
(01.06.2018)
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94
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Forum and Function
by
Barry Gaines
Published in
Critical stages (Paris)
(01.06.2018)
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Brexit Brexit Brexit Brexit Brexit Brexit Brexit Brexit Brexit: UK Theatre and the Foreign Element
by
Bonjana Janković
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Critical stages (Paris)
(01.06.2018)
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“I and you” Becomes “I am you”: The Audience’s Gaze in Contemporary Medical Performance
by
Alex Mermikides
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Critical stages (Paris)
(01.06.2018)
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Ibsen’s Play Adapted to Represent Contemporary Chinese Femininity
by
Hu Xuan
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Critical stages (Paris)
(01.06.2018)
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Out of the Box(-Office): New Trends in Hungarian Performing Arts
by
Noémi Herczog
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Critical stages (Paris)
(01.06.2018)
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Worth the Ten-Year Wait: Adrienne Kennedy Returns
by
Derek McCracken
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Critical stages (Paris)
(01.06.2018)
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Performance Spectatorship: “Acting Without Acting”
by
Evi Prousali
Published in
Critical stages (Paris)
(01.06.2018)
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