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IATC
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When Lepage and Mnouchkine Collide with Cultural Appropriation
by
Michel Vaïs
Published in
Critical stages (Paris)
(01.06.2019)
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Where Τhere Ιs Theatre, Τhere Ιs Hope: Interview with Elizabeth Wong
by
Savas Patsalidis
Published in
Critical stages (Paris)
(01.12.2018)
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43
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How to Organize a Bridge between National and International
by
Mehrdad Rayani-Makhsous
Published in
Critical stages (Paris)
(01.12.2018)
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44
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Making Theatre Between the Desert and the Sea: Interview with Shay Pitowsky
by
Shai Bar-Yaacov
Published in
Critical stages (Paris)
(01.12.2018)
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Comment inventer demain ?
by
Camille Khoury
Published in
Critical stages (Paris)
(01.12.2018)
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Initial Thoughts on the Curious Case of Postdramatic Theatre in the Indian Context
by
Deepa Punjani
Published in
Critical stages (Paris)
(01.12.2018)
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The Time of Our Lives: Interview with Bonnie Marranca
by
Savas Patsalidis
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Critical stages (Paris)
(01.12.2018)
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Malaysia’s Theatre and its Circuit of Culture
by
Benny Lim
,
Chua Lian Choon (Richard)
Published in
Critical stages (Paris)
(01.12.2018)
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Chinese Theatre since 1980
by
Lin Kehuan
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Critical stages (Paris)
(01.12.2018)
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A Theatre Artist’s Path: Questioning Shakespeare’s Authorship
by
Keir Cutler
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Critical stages (Paris)
(01.12.2018)
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Theater, Philosophy, Literature: A Field of Tension. Interview with Professor Martin Puchner
by
Eylem Ejder
Published in
Critical stages (Paris)
(01.12.2018)
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Making Theatre Ιnside and Οutside Turkey under Erdoğan: Interview with Murat Daltaban
by
Mark Brown
Published in
Critical stages (Paris)
(01.12.2018)
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Between Tradition and the Contemporary: An Exploration of Chinese Scenic Designers
by
Yan Zhao
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Critical stages (Paris)
(01.12.2018)
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The Adaptation of Shakespeare into Chinese Xiqu
by
Zhu Ning
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Critical stages (Paris)
(01.12.2018)
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“In China, directors are considered more highly than playwrights”: Interview with Stan Lai
by
Savas Patsalidis
Published in
Critical stages (Paris)
(01.12.2018)
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Conflicting Nations, Conversing Individuals in Lola Arias’s Minefield
by
Elizabeth Sakellaridou
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Critical stages (Paris)
(01.12.2018)
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A Brief Overview of Postdramatic Theatre and its Contribution to Independent Chinese Theatre
by
Peng Tao
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Critical stages (Paris)
(01.12.2018)
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Traditional Chinese Theatre Today
by
Fu Jin
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Critical stages (Paris)
(01.12.2018)
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12 Seconds to the Year of Theatre
by
Emiliia Dementsova
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Critical stages (Paris)
(01.12.2018)
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Contemporary Finnish Theatre: Disruption and Expanding Fields
by
Hanna Helavuori
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Critical stages (Paris)
(01.12.2018)
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