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IATC
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Swedish Word Games and Identity Dramas
by
Halima Tahan Ferreyra
Published in
Critical stages (Paris)
(01.10.2014)
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Contours of Losses in Sarajevo
by
Zala Dobovšek
,
Matti Linnavuori
Published in
Critical stages (Paris)
(01.10.2014)
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Our Critics are Confounded and Resigned ━ Interview with Róbert Alföldi, ex-director of the Hungarian National Theatre, actor, director
by
Judit Csáki
,
Róbert Alföldi
Published in
Critical stages (Paris)
(01.10.2014)
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An Elite Festival: National Companies Play their Classics
by
Ludmila Patlanjoglu
Published in
Critical stages (Paris)
(01.10.2014)
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Un théâtre sous haute tension
by
Georges Banu
Published in
Critical stages (Paris)
(01.10.2014)
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Contributing to the Culture ━ Interview with Tony Taccone, Artistic Director, Berkeley Repertory Theatre; playwright
by
Lissa Tyler Renaud
,
Tony Taccone
Published in
Critical stages (Paris)
(01.10.2014)
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L’influence du concept de marionnette dans le théâtre japonais
by
Mariko Anazawa
Published in
Critical stages (Paris)
(01.06.2019)
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Petit abécedaire subjectif de scènes bruxelloises actuelles
by
Karolina Svobodova
,
Emilie Garcia Guillen
Published in
Critical stages (Paris)
(01.06.2019)
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Les Grenouilles d’Aristophane face aux nouvelles technologies : Une proposition
by
Mariza Galani
Published in
Critical stages (Paris)
(01.06.2019)
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Voir double : Marionnette et bande dessinée
by
Antonia Leney-Granger
Published in
Critical stages (Paris)
(01.06.2019)
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Jouer ou ne pas jouer : Limites d’une dramaturgie interactive
by
Nele Wynants
Published in
Critical stages (Paris)
(01.06.2019)
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The Seagull directed by Oskaras Korsunovas
by
Maria Shevtsova
Published in
Critical stages (Paris)
(01.02.2014)
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P’tite Souillure, comédie sacrée
by
Selim Lander
Published in
Critical stages (Paris)
(01.02.2014)
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Nora as a Corporate Trophy
by
Mihail Baykov
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Critical stages (Paris)
(01.02.2014)
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Criticism 2.0: Benefits and Challenges of Theatre Criticism Web Sites
by
Russell T. Warne
Published in
Critical stages (Paris)
(01.02.2014)
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Cette barbarie qui nous guette
by
Irène Sadowska-Guillon
Published in
Critical stages (Paris)
(01.02.2014)
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CRITICIZING THE END OF CRITICISM: The Critical Genre and the Internet
by
Mihály Szilágyi-Gál
Published in
Critical stages (Paris)
(01.02.2014)
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British Theatre Criticism: the End of the Road?
by
Aleks Sierz
Published in
Critical stages (Paris)
(01.02.2014)
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“The Hub for the Next Generation of Morbidly-Gifted Asian American Talent” — Interview with Victor Maog, U.S. Director
by
Randy Gener
Published in
Critical stages (Paris)
(01.02.2014)
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The New Economy of Theatrical Expertise
by
Iulia Popovici
Published in
Critical stages (Paris)
(01.02.2014)
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