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"Wullschläger, Jackie"
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"Wullschläger, Jackie"
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Hard edges and soft focus: Visual art | A Swiss show highlights how Cézanne and Renoir drove painting on
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(06.07.2024)
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Utopia's sharp teeth: Royal Academy | Ukrainian artists thrilled to the Russian revolution's promise — but then came Soviet repression. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(29.06.2024)
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Queens of their own domain: Six Lives | A London exhibition untangles the identities of Henry VIII's wives. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(22.06.2024)
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Best summer books of 2024: Visual arts
by
Wullschläger
,
Jackie
Published in
FT.com
(17.06.2024)
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A dangerous leap towards modernity: Edgar Degas | A dazzling National Gallery show explores art, race and acrobatics in the painter's depiction of a circus star. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(15.06.2024)
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Degas & Miss La La, National Gallery review — dazzling exploration of art, race and acrobatics
by
Wullschläger
,
Jackie
Published in
FT.com
(13.06.2024)
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Lovers, clubbers, heroes and players: Kunstmuseum Basel | A survey of Black subjects across a century of painting embraces big names and artists of promise. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(08.06.2024)
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Double show is a contrast in styles: Fondation Louis Vuitton | Exhibitions featuring Matisse and Ellsworth Kelly celebrate their bold experiments with colour. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(25.05.2024)
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Now You See Us, Tate Britain review — landmark show of female artists across the centuries
by
Wullschläger
,
Jackie
Published in
FT.com
(18.05.2024)
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Women show their true colours: Tate Britain | Lesser-known female artists share the spotlight with Angelica Kauffman, Artemisia Gentileschi and more. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(18.05.2024)
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Dizzying reflections on the world today: Exhibitions | Billionaire François Pinault's genius for collecting playful yet serious art is undimmed, as two dazzling shows in Paris and Venice demonstrate. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(11.05.2024)
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Anselm Kiefer, Palazzo Strozzi review — rebellious angels and radiation-paintings mark a return to form
by
Wullschläger
,
Jackie
Published in
FT.com
(05.05.2024)
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Return of the rebel angel: Anselm Kiefer | Aircraft wings and radiation paintings mark the artist's strongest work for years at Florence's Palazzo Strozzi. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(04.05.2024)
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The secret is to free yourself from gravity: Willem de Kooning | A brilliant, bacchanalian exhibition in Venice shows how visits to Italy transformed the artist's work. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(27.04.2024)
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Electric influx of ideas: Venice Biennale | Artists with roots in the 'Global South' are the stars of Adriano Pedrosa's compelling exhibition. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(20.04.2024)
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The Last Caravaggio, National Gallery, London — review: a final dark masterpiece brought to light
by
Wullschläger
,
Jackie
Published in
FT.com
(13.04.2024)
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Darkness visible: Caravaggio | A final painting attributed to the Italian master only in the 1970s is on show in London to stunning effect. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(13.04.2024)
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The man who made sculpture modern: Centre Pompidou | Constantin Brâncusi's streamlined figures in marble and bronze were heralds of the future, which still look fresh today. By Jackie Wullschläger
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(06.04.2024)
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Brâncuşi, Centre Pompidou review — effortless magic from the first modern sculptor
by
Wullschläger
,
Jackie
Published in
FT.com
(04.04.2024)
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Defiant painters, defining visions: Impressionism | It is 150 years since Monet, Degas and co started a movement that revolutionised art. Jackie Wullschläger applauds the Musée d'Orsay's joyous springtime exhibition marking the moment
by
Wullschläger
,
Jackie
Published in
The Financial times (London ed.)
(30.03.2024)
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