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Richard Pryor’s Sonic Acts: Epistemological Rupture at the Hollywood Bowl, 18 September 1977
by
Russell, Eleanor
Published in
Theatre survey
(01.05.2024)
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Performing Midsommar: Sweden Nationalism, Folkloric Pageantry, and the Political Power of Symbolic Divergence
by
Edgecomb, Sean F.
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Theatre survey
(01.09.2023)
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Theorizing Performance Archives through the Critic's Labor
by
Mayer-García, Eric
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Theatre survey
(01.09.2023)
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Performing Celebrity and Anna Renzi's Cross-Dressed Performance as Ergindo
by
Wier, Claudia Rene
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Theatre survey
(01.09.2023)
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Rescuing Richard Cœur de Lion: Rivalry, Rehearsal, and Performance at Sheridan's Drury Lane
by
Jones, Robert W.
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Theatre survey
(01.09.2023)
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Playing the Police with the Agitprop Troupes of Weimar Germany
by
Piggott, Jessi
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Theatre survey
(01.05.2023)
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S pecial I ssue of T heatre S urvey
by
Arendell, Telory D.
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Theatre survey
(01.05.2023)
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William Gillette's Sherlock Holmes, or the “Real” Sherlock Holmes: Seeking Reality in Materiality
by
Stowell-Kaplan, Isabel
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Theatre survey
(01.05.2023)
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Ear Training for History: Listening to Elizabeth Taylor Greenfield's Double-Voiced Aesthetics
by
Marshall, Caitlin
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Theatre survey
(01.05.2023)
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Antitheatrical Prejudice: From Parish Priests to Diocesan Rituals in Early Modern France
by
Palacios, Joy
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Theatre survey
(01.05.2023)
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Special Issue of Theatre Survey
by
Arendell, Telory D.
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Theatre survey
(01.05.2023)
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Disappearing Mermaids: Staging White Women's Mobility through Aquatic Performance at the New York Hippodrome
by
Stalter-Pace, Sunny
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Theatre survey
(01.01.2023)
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The People and Places of Experimental Theatre Scholarship: A Computational Overview
by
Escobar Varela, Miguel
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Theatre survey
(01.01.2023)
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Send in the Clowness: The Problematic Origins of Female Circus Clowns
by
McMahan, Matthew
,
Senelick, Laurence
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Theatre survey
(01.01.2023)
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The Race for Rehabilitation: Sign-Mime, the National Theatre of the Deaf, and Cold War Internationalism
by
McKelvey, Patrick
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Theatre survey
(01.01.2023)
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Blindness, Excrement, and Abjection in the Theatre: ASTR Presidential Address, 30 October 2021
by
Carlson, Marla
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Theatre survey
(01.09.2022)
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Staging Hurston's Heaven: Ethnographic Performance from the Pulpit to the Pews
by
Kastleman, Rebecca R.
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Theatre survey
(01.05.2022)
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Greasers, Bandidos, and Squatters under Duress: Containing Latinidad in Mid-Nineteenth-Century California
by
Rocha, Ricardo Ernesto
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Theatre survey
(01.05.2022)
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The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema
by
Rogers, Bradley
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Theatre survey
(01.05.2022)
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Nobodies and Somebodies: Embodying Precarity on the Early Modern English Stage
by
Burkert, Mattie
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Theatre survey
(01.05.2022)
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