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"The soundtrack (Bristol)"
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"The soundtrack (Bristol)"
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Rendering the umwelt: Foley, animal life and ethics
by
Pollard, Damien
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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Notes from the Foley Studio: On walking assemblages, messiness and the auditory x-ray
by
Glover, Rebecca
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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A surreal science: Guy Maddin’s Foley of the unconscious in Brand Upon the Brain! and Footsteps
by
Tomkinson, Matthew
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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Navigating ‘feel’: When hands touch sound effects
by
Keenan, Fiona
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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Introduction to Foley sound
by
Talijan, Emilija
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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[Bones cracking]: Reading and listening to Foley and captions
by
Berry, Gabrielle
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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The cloth pass and soft glitch
by
Bower, Julie Rose
Published in
The soundtrack
(
Bristol
)
(01.09.2024)
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Screenwriting sound and music: Towards a new field of study
by
Rudolph, Pascal
,
Tieber, Claus
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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Writing on screens: (Re-)mediating music and sound through captions
by
Deaville, James
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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‘Music is like a ribbon that knits the storylines together’: The musicality of Greta Gerwig’s Little Women
by
Babel, Anika
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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Writing sound in the screenplay: Traditions and innovations
by
Paletz, Gabriel M
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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‘Can you hear me?’ ‘Son sur le scenario’: The act of writing sound in Mark Jenkin’s script of Enys Men (2022)
by
Marshall, Kingsley
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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Cinema Novo vs. Beatlemania: Discovering the use of sound and music in two unfilmed and unpublished Brazilian screenplays from the mid-1960s
by
Mello, Marcelo C
Published in
The soundtrack
(
Bristol
)
(01.11.2023)
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Freak Scenes: American Indie Cinema and Indie Music Cultures, Sexton Jamie (2023)
by
Arnold, Gina
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The soundtrack
(
Bristol
)
(01.06.2022)
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Auto Jazz: Barney Wilen and the expanded soundtrack
by
Goodall, Mark
Published in
The soundtrack
(
Bristol
)
(01.06.2022)
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Reconfiguring authenticity: Eurythmics and the aesthetics of new pop
by
Hill, Stephen
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The soundtrack
(
Bristol
)
(01.06.2022)
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Crystal sounds in contemporary film and TV
by
Karaduman, Arzu
Published in
The soundtrack
(
Bristol
)
(01.06.2022)
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In awe of scores and roars: Audience phenomenological fragmentation between screen and soundtrack
by
Rendell, James
Published in
The soundtrack
(
Bristol
)
(01.06.2022)
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Jean-Luc Godard’s Le mépris: Conventional film music in an unconventional guise
by
Baumgartner, Michael
Published in
The soundtrack
(
Bristol
)
(01.10.2021)
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Rainbow remixes: Cut and paste sound in the films of Len Lye
by
Mangion, Suzy
Published in
The soundtrack
(
Bristol
)
(01.10.2021)
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