Search Results - "Studies in European cinema" :: K.UTB vyhledávací portál

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Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity

by Monterrubio Ibáñez, Lourdes
Published in Studies in European cinema (03.05.2024)

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Home, family, and violence: the films of João Canijo

by Ribas, Daniel
Published in Studies in European cinema (25.05.2024)

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The journey of an identity: disorienting transnational ‎identifications in Souad El Bouhati's Française (2008)

by Chemlal, Said
Published in Studies in European cinema (03.05.2024)

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Blackthorn (Mateo Gil, 2011): an inter-national, revisionist, Spanish Western

by Ibarraran-Bigalondo, Amaia
Published in Studies in European cinema (03.05.2024)

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How does film education increase the economic and social impact of European arthouse cinema? the case of the danish initiative Med Skolen i Biografen /School Cinema

by Mitric, Petar
Published in Studies in European cinema (03.05.2024)

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'Ghosts don't cry': state of exception and the mother(land) in Pedro Almodóvar's Live Flesh (1997) and Volver (2006)

by Camino, Mercedes
Published in Studies in European cinema (03.05.2024)

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New screens, new talents

by Evans, Owen
Published in Studies in European cinema (03.05.2024)

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[Rec] and beyond: Spanish cinema, digital technology and the transnationalization of horror

by Rodríguez Ortega, Vicente
Published in Studies in European cinema (03.05.2024)

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Review of Vampires in Italian cinema, 1956-1975 Review of Vampires in Italian cinema, 1956-1975 , by Michael Guarneri, Edinburgh University Press, 2020, 209 pp, ISBN 9781474458115: by Michael Guarneri, Edinburgh University Press, 2020, 209 pp, ISBN 9781474458115

by Bayman, Louis
Published in Studies in European cinema (03.05.2024)

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Precarity, Liminality, mobility: childhood in the cinema of the Dardenne Brothers

by Smith, Matthew
Published in Studies in European cinema (06.04.2024)

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João de Deus’s musical perversions: a case study on the music and sexuality in two films by João César Monteiro

by Pinto, José, Medeiros, Margarida
Published in Studies in European cinema (29.02.2024)

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Romance and Hitchcock? Viewing master of suspense as master of romance

by Somashekar, Indumathi, D, Nivedhitha, Pinto, Melwyn S.
Published in Studies in European cinema (23.02.2024)

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The motherly gaze in Aslaug Holm’s Brothers ( Brødre , 2015)

by Mendelytė, Atėnė
Published in Studies in European cinema (19.02.2024)

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Intimate recordings: mediated acts of touching in Future Lasts Forever and Giraffe

by Landry, Olivia
Published in Studies in European cinema (02.01.2024)

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Women's affective transactions and the memory of Hungarian (historical) affairs: Istvan Szabo's The Door (2012)

by Haragos, Szidonia
Published in Studies in European cinema (02.01.2024)

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Step right up and take a whiff! Does incorporating scents in film projection increase viewer enjoyment?

by Solves, Josep, Sánchez-Castillo, Sebastián, Siles, Begoña
Published in Studies in European cinema (02.01.2024)

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Seeking an other justice in Fatih Akın’s “ The Edge of Heaven” (2004) and “ In the Fade” (2017)

by Öneren Özbek, Melis
Published in Studies in European cinema (02.01.2024)

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Playbird superstar: Mary Millington and Come Play With Me (1977) as a national box-office sensation

by Barnett, Vincent L
Published in Studies in European cinema (02.01.2024)

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Experiencing films

by Evans, Owen
Published in Studies in European cinema (02.01.2024)

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Seeking another justice in Fatih Akın's "The Edge of Heaven" (2004) and "In the Fade" (2017)

by Öneren Özbek, Melis
Published in Studies in European cinema (02.01.2024)

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