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"Studies in Eastern European cinema"
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Outside the Canon: Eastern Europe
by
Hames, Peter
Published in
Studies in Eastern European cinema
(07.08.2024)
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Karel Kachyňa and The Holocaust: More Than Films for Children
by
Ward, Kenneth J.
Published in
Studies in Eastern European cinema
(17.10.2024)
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(Re)Constructing Collective Memory. Mobile Media Based Documentaries on the Siege of Mariupol
by
Simor, Kamilla
Published in
Studies in Eastern European cinema
(15.10.2024)
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Mantas Kvedaravičius’s Mariupolis (2016) and Šarūnas Bartas’s Frost (2017): Soft Advocacy for the Ukrainians in the Russo-Ukrainian War
by
Šukaitytė, Renata
Published in
Studies in Eastern European cinema
(06.10.2024)
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The Politics of Quotidian Gestures. Screening the Migrant and the Host in Marian Crișan’s Film, Morgen and Cristian Mungiu’s R. M. N
by
Sándor, Katalin
Published in
Studies in Eastern European cinema
(28.09.2024)
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Canons of Polish Cinema and the Place of Polish Films in Global Film Canons
by
Mazierska, Ewa
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Studies in Eastern European cinema
(10.07.2024)
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Domestic Markets and International Podiums: Questions of Canonization of East-Central European Films from 1989 Till Now
by
Varga, Balázs
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Studies in Eastern European cinema
(11.09.2024)
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Poland under Martial Law in Netflix's 1983 as a Critique of Contemporary Polish Socio-Politics: An Intertextual Analysis
by
Borowski, Krzysztof E.
Published in
Studies in Eastern European cinema
(01.09.2024)
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Editorial
by
Mazierska, Ewa
Published in
Studies in Eastern European cinema
(01.09.2024)
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From Ruptures to Continuities: Czechoslovak Cultural Heritage in Non-Fiction Cinema 1948-1956
by
Průchová Hrůzová, Andrea
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Studies in Eastern European cinema
(01.09.2024)
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Revelatory Inebriation and Westward Projections: Bolek Polívka's Father Figures in Mid-2000s Czech Cinema
by
Silverman, Tanya
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Studies in Eastern European cinema
(01.09.2024)
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Regained Screens: Contemporary Documentary Film Culture in Lithuania
by
Valiūnaitė, Mantė
Published in
Studies in Eastern European cinema
(01.09.2024)
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Editorial
by
Mazierska, Ewa
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Studies in Eastern European cinema
(01.09.2024)
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Performative Cinematic Acts of Form in the Baltic New Wave Documentary: The Old Man and the Land, Ruhnu, and Bridges of Time
by
Ligi, Teisi
,
Teinemaa, Teet
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Studies in Eastern European cinema
(01.09.2024)
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Useful Bodies, Socialist Commodification and Everyday Culture: Promoting Albanian and Yugoslav Industrial Production Through Non-Fiction Films
by
Grgić, Ana
,
Bego, Fabio
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Studies in Eastern European cinema
(01.09.2024)
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Roman Polanski (and Others) on Trial
by
Mazierska, Ewa
Published in
Studies in Eastern European cinema
(02.09.2023)
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The 58th Karlovy Vary International Film Festival: Still the Defence of Women and Immigrants
by
Čulík, Jan
Published in
Studies in Eastern European cinema
(10.08.2024)
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Communicative Generations between Cold War Trauma and HBO-Type ‘Televisuality’: Entering the Paratextual Flow of Chernobyl , The Informant, and Spy/Master
by
Virginás, Andrea
Published in
Studies in Eastern European cinema
(10.08.2024)
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The Shadow of the Film Monuments. Canonisation of the Czechoslovak New Wave as a Discursive Operation
by
Zach, Ondřej
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Studies in Eastern European cinema
(06.08.2024)
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Post-Socialist Rurbanity or When Rurality Meets Periphery. National and Transnational Representations in A Romanian Popular Comedy Series
by
Matei, Alexandru
Published in
Studies in Eastern European cinema
(15.07.2024)
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