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"Quarterly review of film and video"
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What Does a Nascent Film Movement of Popular Genres Reveal About Emirati Culture?
by
Nashef, Hania A. M.
Published in
Quarterly review of film and video
(01.10.2024)
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Mexicans and Anglos: Conflicting Masculinities in Lone Star
by
Luévano, Sabino
,
Wood, Glen
Published in
Quarterly review of film and video
(04.11.2024)
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Bodies for Sale: Sex Tourism in Nabil Ayouch's Much Loved (2015)
by
Hamil, Mustapha
Published in
Quarterly review of film and video
(04.11.2024)
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Biennale College Cinema: Film Funding as a Financial and Educational Initiative
by
Odabasi, Eren
Published in
Quarterly review of film and video
(04.11.2024)
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Vampires: Outside Life, Outside Control
by
Dent, Chris
Published in
Quarterly review of film and video
(04.11.2024)
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Gender, Romance and Otherness in The Sheik 1921
by
Moumni, Omar
Published in
Quarterly review of film and video
(04.11.2024)
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Melodrama against the State: Children of Men's Unimaginable Tomorrow
by
Blyn, Robin
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Quarterly review of film and video
(04.11.2024)
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Melodrama against the State: Children of Men ’s Unimaginable Tomorrow
by
Blyn, Robin
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Quarterly review of film and video
(04.11.2024)
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Adaptation as Intersemiotic Translation: From The Tale of Kiều (Nguyen Du) to Kim Van Kieu (Nguyen Bach Tuyet)
by
Le, Quoc Hieu
Published in
Quarterly review of film and video
(04.11.2024)
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Revisiting David Cronenberg in the Age of COVID-19: The Same Fears, the Same Anxieties
by
Katz, Joshua W.
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Quarterly review of film and video
(04.11.2024)
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Star Power and Risk: A Political Economic Study of Casting Trends in Hollywood
by
McMahon, James
Published in
Quarterly review of film and video
(04.11.2024)
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More Than "The Most Beautiful Famous Face": The Split Star Image of Keira Knightley
by
Kaplánková, Barbora
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Quarterly review of film and video
(04.11.2024)
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Recounting Sociopolitical Satire: Analysis of Pakistani Music Videos
by
Noor, Rabia
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Quarterly review of film and video
(04.11.2024)
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Interrogating "Marginality" in Bombay Cinema: An Exhaustive Historiography
by
Sengupta, Roshni
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Quarterly review of film and video
(04.11.2024)
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Narrative Structures for the European Identity Crisis: Antiplot in Ulysses' Gaze, A Talking Picture and Our Music
by
Noguera, María
,
Muñoz-Garnica, Miguel
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Quarterly review of film and video
(04.11.2024)
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The Perils of Representation: Sandra Oh in Killing Eve
by
Feikusová, Klára
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Quarterly review of film and video
(04.11.2024)
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Social Media as a Cause of Emotional Distress and Insecurity in "Nosedive" from Black Mirror
by
Bhatt, Preeti
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Quarterly review of film and video
(04.11.2024)
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"You Were Made as Well as We Could Make You": Posthuman Identity Formations in James Cameron's Terminator Dilogy, Ridley Scott's Blade Runner, and the Wachowski Brothers' the Matrix Trilogy
by
Nandi, Arindam
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Quarterly review of film and video
(04.11.2024)
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The Evolution of the Representation of Female Authorship on Film: From Romantic Genius to Demotic Author
by
Bekers, Katrijn
Published in
Quarterly review of film and video
(02.11.2024)
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Some Warners Musicals and the Spirit of the Production Code
by
Shearer, Martha
Published in
Quarterly review of film and video
(13.10.2024)
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