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"Literature film quarterly"
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Rethinking Formal-Cultural and Textual-Contextual Divides in Adaptation Studies
by
Elliott, Kamilla
Published in
Literature film quarterly
(01.10.2014)
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Paging Inspector Callahan: The Novel Adventures of Dirty Harry
by
Allison, Deborah
Published in
Literature film quarterly
(01.01.2016)
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Experimental Fiction, Film Adaptation, and the Case of "Midnight's Children": In Defense of Fidelity
by
de Zwaan, Victoria
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Literature film quarterly
(01.10.2015)
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PRESERVING UTOPIA: MUSICAL STYLE IN BAZ LUHRMANN'S "THE GREAT GATSBY"
by
MacLean, Tessa
Published in
Literature film quarterly
(01.04.2016)
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Recycling Fidelity Yet Again
by
Raw, Laurence
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Literature film quarterly
(01.10.2015)
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"Thy drugs are quick": Postmodern Dissolution in Baz Luhrmann's "Romeo+Juliet"
by
Johae, Antony
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Literature film quarterly
(01.01.2016)
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Shakespeare, Performance, and the Psychology of Adaptation in George Cukor's "A Double Life" (1947)
by
Raw, Laurence
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Literature film quarterly
(01.01.2016)
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Adaptation and Sound in "Pygmalion": The Subject of the Voice
by
Utell, Janine
Published in
Literature film quarterly
(01.01.2016)
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A New Gang in Town: Kubrick's "A Clockwork Orange" as Adaptation and Subversion of the 1950s Juvenile Delinquent Cycle
by
Kirby, Jennifer
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Literature film quarterly
(01.10.2015)
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White Woods and "Blue Jasmine": Woody Allen Rewrites "A Streetcar Named Desire"
by
Foster, Verna A.
Published in
Literature film quarterly
(01.07.2015)
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The Bride and Her Afterlife: Female Frankenstein Monsters on Page and Screen
by
Hawley, Erin
Published in
Literature film quarterly
(01.07.2015)
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The Filmic Mode and Filmic Spectator in Buchowetzki's "Othello" and Nelson's "O"
by
Rowe, J. Asia
Published in
Literature film quarterly
(01.01.2016)
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[Editorial]: The Ever-Widening Conversations of "LFQ", and Our Move to Open Access
by
Walker, Elsie
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Literature film quarterly
(01.01.2016)
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Intermediality in Orson Welles's Shakespearean Collage: Competing Narrative Modes and Media in "Chimes at Midnight"
by
Hilb, Benjamin
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Literature film quarterly
(01.01.2016)
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The Soundtrack Doth Repeat Too Much: Or, the Musical Spectacle of Keeping Up Appearances in Robert Altman's "The Long Goodbye"
by
McQuiston, Kate
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Literature film quarterly
(01.01.2016)
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Snow White Wars: Adapting Animation in Donald Barthelme's "Snow White"
by
Fischer, Meredith
Published in
Literature film quarterly
(01.01.2016)
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Editorial: Goodbye, and Thanks
by
Johnson, David T.
Published in
Literature film quarterly
(01.01.2016)
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"Truth Beauty" as "Waking Dream": Hitchcock's "Vertigo" and the "Mystic Oxymoron" of Keats's poetry
by
Catania, Saviour
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Literature film quarterly
(01.01.2016)
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Adapting Heritage: Reading the Writerly Text in "Orlando"
by
Kao, Vivian
Published in
Literature film quarterly
(01.10.2015)
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MELODRAMA AND TRAGEDY IN "THE MANCHURIAN CANDIDATE" (1962)
by
McEntee, Joy
Published in
Literature film quarterly
(01.10.2015)
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