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History of the viol
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Durkin, Rachael
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Early music
(28.12.2020)
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Editorial
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Sadler, Graham
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Tackling Telemann
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Reul, Barbara M
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Music from the Low Countries ( c. 1580– c. 1780)
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Drèze, Céline
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Early music
(28.12.2020)
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The Italian chamber cantata: a decade of recordings
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Fabris, Dinko
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Abstracts
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Early music
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Bridge shapes of the violin and other bowed instruments, 1400–1900: the origin and evolution of their design
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Raymaekers, Wim
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Early music
(22.09.2020)
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The patterns of music subscription in English, Welsh and Irish cathedrals during the Georgian era
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Fleming, Simon D I
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Mozart and the Moravians
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Eyerly, Sarah
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The travels of a tune: Purcell’s ‘If love’s a sweet passion’ and the cultural translation of 17th-century English music
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Lebedinski, Ester
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(26.06.2020)
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Imagining the un-encoded: staging affect in Blondel de Nesle’s Mes cuers me fait conmencier
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Leach, Elizabeth Eva
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(26.06.2020)
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Cueurs desolez : Josquin, La Rue and a lament for Anne de Foix
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Macey, Patrick
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(01.11.2020)
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Fuga and invertible counterpoint in Byrd’s Cantiones sacrae (1589): some preliminary observations
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Grimshaw, Julian
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Seeking the historical listener
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Plank, Steven
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Music, patronage and reform in 16th-century Italy: new light on Cardinal Carlo Borromeo
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Morucci, Valerio
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The ‘Couperin chord’
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Dubruque, Julien
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(01.08.2020)
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French collections: a precious miscellany
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Chung, David
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The many worlds of Anna Magdalena Bach
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Szabó, Zoltán
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