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Pat Rogers, Defoe’s Tour and Early Modern Britain: Panorama of the Nation
by
Degott
,
Pierre
Published in
Miranda
(01.01.2023)
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La construction du genre : contraltos et castrats dans la production lyrique haendélienne
by
Degott
,
Pierre
Published in
Etudes epistémè
(01.02.2019)
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“Not Handel's sweet music more pleases the ear, than…”: The Music of Sound in Fielding's and Joseph Reed's Tom Jones
by
Degott
,
Pierre
Published in
Etudes epistémè
(14.07.2016)
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Muriel Plana, Nathalie Vincent-Arnaud, Ludovic Florin et Frédéric Sounac, dir., Théâtre musical (XXe et XXIe siècles) : Formes et représentations politiques
by
Degott
,
Pierre
Published in
Miranda
(29.04.2020)
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Les enjeux de la traduction dans la réception de Haendel en Grande-Bretagne entre 1945 et 1970
by
Degott
,
Pierre
Published in
LISA (Caen, France)
(30.10.2014)
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Enthousiasme, méfiance ou rejet ? L’influence de la révolution française sur le répertoire lyrique de la scène britannique
by
Degott
,
Pierre
Published in
17 - 18
(01.12.2012)
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La traduction anglaise de Maria Stuarda : paradoxes et contradictions d’une reine catholique et puritaine
by
Degott
,
Pierre
Published in
LISA (Caen, France)
(13.12.2011)
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Amongst the Gods I Psyche will translate »: la réécriture par Thomas Shadwell de la tragédie-ballet Psyché (1671) de Molière, Corneille et Quinault
by
Degott
,
Pierre
Published in
LISA (Caen, France)
(01.02.2008)
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La traduction du livret d’opéra vers l’anglais : un enjeu national et/ou « méta-opératique
by
Degott
,
Pierre
Published in
LISA (Caen, France)
(01.06.2006)
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BRYAN WHITE, Music for St Cecilia’s Day: from Purcell to Handel
by
Pierre Degott
Published in
17 - 18
(01.12.2020)
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BRYAN WHITE, Music for St Cecilia’s Day: from Purcell to Handel: Woodbridge : The Boydell Press, 2019, 382 pp., ISBN 978-1-78327-347-8
by
Degott
,
Pierre
Published in
17 - 18
(2020)
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When Eros meets Thanatos: the bedchamber scenes in Congreve/Eccles’s and Handel/Hamilton’s Semele(s)
by
Degott
,
Pierre
Published in
Arrêt sur scène
(01.11.2019)
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When Eros meets Thanatos: The bedchamber scenes in Congreve/Eccles and Handel/Hamilton’s Semele(s)
by
Degott
,
Pierre
Published in
Arrêt sur scène / Scene Focus
(2019)
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L’Opéra en version anglaise : un enjeu esthétique ou sociologique ?
by
Degott
,
Pierre
Published in
LISA (Caen, France)
(01.05.2004)
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David Hunter, The Lives of George Frideric Handel
by
Pierre Degott
Published in
17 - 18
(01.12.2018)
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David Hunter, The Lives of George Frideric Handel: Woodbridge: The Boydell Press, 2015. xvii + 515 pp. ISBN 978-1-783-27061-3
by
Degott
,
Pierre
Published in
17 - 18
(2018)
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Mélodies interrompues : brisures, fêlures et ruptures dans les biopics consacrés aux chanteuses d’opéra
by
Degott
,
Pierre
Published in
Savoirs en Prisme
(15.06.2022)
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Michael Burden, Regina Mingotti : Diva, Impresario at the King’s Theatre, London
by
Pierre Degott
Published in
17 - 18
(01.12.2016)
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“Not Handel's sweet music more pleases the ear, than…”: The Music of Sound in
by
Degott
,
Pierre
Published in
Etudes epistémè
(21.06.2016)
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Michael Burden, Regina Mingotti : Diva, Impresario at the King’s Theatre, London: Farnham : Ashgate, 2013. 192 pp. ISBN 978-0-7546-6936-4
by
Degott
,
Pierre
Published in
17 - 18
(2016)
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