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"Buendía, Maritza M."
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La intertextualidad como recurso neobarroco en El hombre, la hembra y el hambre, de Daína Chaviano
by
Buendía
,
Maritza M
.
,
Ramírez-Vargas, Lucía
Published in
La Colmena (Impresa)
(01.01.2019)
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El relato especular en El sonido de las olas, de Margarita García Robayo
by
Buendía
,
Maritza M
.
Published in
La Colmena (Impresa)
(14.11.2023)
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Piel y envoltura en “El placer de morir” de Eduardo Antonio Parra
by
Buendía
,
Maritza M
Published in
Confluencia (Greeley, Colo.)
(2018)
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La celebración de la belleza en “Retrato” de Juan García Ponce. Hacia una poética del voyeur
by
Buendía
,
Maritza M
Published in
Romance notes
(2016)
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Piel y envoltura en “El placer de morir” de Eduardo Antonio Parra
by
Buendía
,
Maritza M
.
Published in
Confluencia (Greeley, Colo.)
(22.03.2018)
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LA CELEBRACIÓN DE LA BELLEZA EN "RETRATO" DE JUAN GARCÍA PONCE. HACIA UNA POÉTICA DEL "VOYEUR"
by
Buendía
,
Maritza M
.
Published in
Romance notes
(01.01.2016)
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Buscadores de absolutos: Borges-García Ponce, Onetti-Arredondo
by
Buendía
,
Maritza M
.
Published in
Bulletin of Spanish studies (2002)
(09.08.2015)
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Emotional Violence and Culture in Mexico
by
Buendía
,
Maritza M
.
,
Gardner, Nathanial Eli
Published in
Confluencia (Greeley, Colo.)
(22.03.2018)
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Buscadores de absolutos: Borges-García Ponce, Onetti-Arredondo
by
Buendía
,
Maritza M
.
Published in
Bulletin of Spanish studies (2002)
(09.08.2015)
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SOY ELOÍSA Y TAMBIÉN SOY UN RÍO: EXCEDENTE DE SENTIDO EN INVOCACIÓN DE ELOÍSA DE GONZALO LIZARDO
by
Buendía
,
Maritza M
.
Published in
Kínesis (Online)
(16.10.2019)
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