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Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick's Vom Musikalisch-Schönen
by
Bonds, Mark Evan
Published in
19th century music
(01.07.2012)
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EIGHTH INTERNATIONAL NEW BEETHOVEN RESEARCH CONFERENCE BOSTON, 30–31 OCTOBER 2019
by
BONDS
,
MARK EVAN
Published in
Eighteenth-century music
(01.09.2020)
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"WOZZECK'S WORST HOURS": ALBAN BERG'S PRESENTATION COPY OF WOZZECK TO EDUARD STEUERMANN
by
Bonds
,
Mark Evan
Published in
Notes (Music Library Association)
(01.06.2020)
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The Spatial Representation of Musical Form
by
Bonds
,
Mark Evan
Published in
The Journal of musicology (St. Joseph, Mich.)
(01.07.2010)
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"WOZZECKS WORST HOURS": ALBAN BERG'S PRESENTATION COPY OF WOZZECK TO EDUARD STEUERMANN
by
Bonds
,
Mark Evan
Published in
Notes (Music Library Association)
(01.06.2020)
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Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick'sVom Musikalisch-Schönen
by
Mark Evan Bonds
Published in
19th century music
(01.07.2012)
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SYMPHONIC POLITICS: HAYDN'S ‘NATIONAL SYMPHONY’ FOR FRANCE
by
BONDS
,
MARK EVAN
Published in
Eighteenth-century music
(01.03.2011)
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ZYKLUS UND PROZESS: JOSEPH HAYDN UND DIE ZEIT, VIENNA, 9–21 JANUARY 2009
by
BONDS
,
MARK EVAN
Published in
Eighteenth-century music
(01.09.2009)
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Replacing Haydn: Mozart's ‘Pleyel’ Quartets
by
Bonds
,
Mark Evan
Published in
Music & letters
(01.05.2007)
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2019 Chron15 Icon: Samuel Hammond
by
Bonds
,
Mark Evan
Published in
University Wire
(06.02.2019)
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After Beethoven: Imperatives of Originality in the Symphony
by
Levy, David Benjamin
Published in
Music Library Association. Notes
(01.09.1998)
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Symphonic Studies
by
Howard, Patricia
Published in
Musical Times
(01.07.2007)
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