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"Authorship in Film Adaptation"
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PRIVATE KNOWLEDGE, PUBLIC SPACE Investigation and Navigation in Devil in a Blue Dress
by
Berrettini, Mark L
Published in
Authorship in Film Adaptation
(2021)
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FROM TRAUMNOVELLE (1927) TO SCRIPT TO SCREEN— EYES WIDE SHUT (1999)
by
Boozer, Jack
Published in
Authorship in Film Adaptation
(2021)
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12 “WHO’S YOUR FAVORITE INDIAN?” Th e Politics of Representation in Sherman Alexie’s Short Stories and Screenplay
by
Roth, Elaine
Published in
Authorship in Film Adaptation
(2021)
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HITCHCOCK AND HIS WRITERS Authorship and Authority in Adaptation
by
Leitch, Thomas
Published in
Authorship in Film Adaptation
(2021)
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ADAPTATION AS ADAPTATION From Susan Orlean’s The Orchid Thief to Charlie (and “Donald”) Kaufman’s Screenplay to Spike Jonze’s Film
by
Tomasulo, Frank P
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Authorship in Film Adaptation
(2021)
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ADAPTABLE BRIDGET Generic Intertextuality and Postfeminism in Bridget Jones’s Diary
by
Cobb, Shelley
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Authorship in Film Adaptation
(2021)
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THE THREE FACES OF LOLITA, OR HOW I LEARNED TO STOP WORRYING AND LOVE THE ADAPTATION
by
Bell-Metereau, Rebecca
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Authorship in Film Adaptation
(2021)
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INTRODUCTION: THE SCREENPLAY AND AUTHORSHIP IN ADAPTATION
by
Boozer, Jack
Published in
Authorship in Film Adaptation
(2021)
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MILDRED PIERCE A Troublesome Property to Script
by
LaValley, Albert J
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Authorship in Film Adaptation
(2021)
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FROM OBTRUSIVE NARRATION TO CROSSCUTTING Adapting the Doubleness of John Fowles’s Th e French Lieutenant’s Woman
by
Palmer, R. Barton
Published in
Authorship in Film Adaptation
(2021)
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ADAPTING NICK HORNBY’S HIGH FIDELITY Process and Sexual Politics
by
Lucia, Cynthia
Published in
Authorship in Film Adaptation
(2021)
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5 “STRANGE AND NEW . . .” Subjectivity and the Ineffable in The Sweet Hereafter
by
Acevedo-Muñoz, Ernesto R
Published in
Authorship in Film Adaptation
(2021)
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NAME AND TITLE INDEX
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Authorship in Film Adaptation
(2021)
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NOTES ON CONTRIBUTORS
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Authorship in Film Adaptation
(2021)
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INTRODUCTION: THE SCREENPLAY AND AUTHORSHIP IN ADAPTATION
by
Jack Boozer
Published in
Authorship in Film Adaptation
(03.06.2009)
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HITCHCOCK AND HIS WRITERS: Authorship and Authority in Adaptation
by
Thomas Leitch
Published in
Authorship in Film Adaptation
(03.06.2009)
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ADAPTABLE BRIDGET: Generic Intertextuality and Postfeminism in Bridget Jones’s Diary
by
Shelley Cobb
Published in
Authorship in Film Adaptation
(03.06.2009)
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MILDRED PIERCE: A Troublesome Property to Script
by
Albert J. LaValley
Published in
Authorship in Film Adaptation
(03.06.2009)
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FROM TRAUMNOVELLE (1927) TO SCRIPT TO SCREEN—EYES WIDE SHUT (1999)
by
Jack Boozer
Published in
Authorship in Film Adaptation
(03.06.2009)
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THE THREE FACES OF LOLITA, OR HOW I LEARNED TO STOP WORRYING AND LOVE THE ADAPTATION
by
Rebecca Bell-Metereau
Published in
Authorship in Film Adaptation
(03.06.2009)
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